Posts Tagged ‘The Dimes’

This week in GO! Magazine’s music section

Friday, December 2nd, 2011

Timothy B. Schmit has done a lot in his music career.

Most famously, he plays bass and sings in The Eagles. He also was a member of the ’70s country-rock band Poco. He replaced the same guy in both bands!

And get this: While playing in Jimmy Buffett’s Coral Reefer Band, Schmit coined the term “Parrotheads” for Buffett’s fans! For that alone, he’ll always have a place in pop-culture history.

With The Eagles on a break, Schmit will come to Bend Thursday for a show at the Tower Theatre. My colleague David Jasper called him up last week and spoke with him about his solo work, The Eagles as “The Mothership” and how he feels about his long, roller-coaster career.

… being a Coral Reefer, even temporarily, “was a big change for me,” Schmit added.

“(Buffett) is a friend of mine … and he just asked me to go out for a couple of weeks,” he said. “He wanted to know if I wanted to go out, play some music, have a little fun. I ended up doing it, I don’t know, on and off for a couple of years.

“The main difference is that I was used to being one of the main people,” Schmit said. With Buffett, “I was definitely just a bass player in that band, and a background singer. It was humbling, but it was fun. And honestly, I like to work, and I’m no different than anybody. I need to work.”

Then along came “Hell Freezes Over,” as The Eagles called their 1994 reunion, which Schmit said was a “godsend.”

Coincidentally, it occurred just as Schmit was making his personal peace with his career.

“Really, my whole lifestyle had really humbled me,” he said. “Just about the time I changed from being a little bit angry about my lifestyle change, and I started to accept it and look at all the great things in my life — because I have many great things in my life — about that same time is when we got back together.”

I thought Schmit was pretty honest and interesting in this story. I hope you’ll click here and read it.

Also worth highlighting are a couple of find Portland-based indie-pop bands that are headed this way. The Ascetic Junkies play Silver Moon Brewing tonight, and The Dimes are at McMenamins on Wednesday. Each will have you tapping your toe, bobbing your head and sloshing your beverage, so check ‘em out.

Elsewhere in this week’s music section: Empty Space Orchestra begins its December residency at Silver Moon, Cloverdayle raises funds for its new recording, RoboLiquidPop honors Steven Rock and the Renato Caranto Quartet plays Jazz at Joe’s, plus Todd Haaby, Blackflowers Blacksun and One Way Station. And last but not least, friends and family of Richard Marshall — father of Larry and His Flask’s Jamin and Jesse Marshall — will gather Sunday for a memorial. Details are here. Marshall died Nov. 22 after a long battle against cancer. Sincere condolences to Jamin, Jesse and the rest of Marshall’s family.

This week in GO! Magazine’s music section

Friday, March 26th, 2010

Local guitarist and singer-songwriter Gary Fulkerson has a CD-release show planned for Saturday at Silver Moon Brewing. The guy was also one of my favorite interviews in a long time. For an hour, we talked about music, fear, doubt, triumph … and doughnuts. Here’s a taste:

“Emotionally and creatively, I felt as though I wasn’t really being true to myself somehow, and I wasn’t really expressing what I needed to express,” he said. “The combination of picking up the guitar (came together with) feeling completely stuck and reaching this pit, and at the confluence of those things, I started to write songs. So I sat down and I wrote this first song.”

That was more than two years ago. Since then , the songs have poured forth, and Fulkerson has compiled some of them on his new album, “Float and Scatter,” which he’ll celebrate with a show Saturday in Bend.

“It became a need more than something I wanted to try. It became a necessity,” Fulkerson said. “It was like, ‘I’ve got to just get something out. Something has to get out of me.’ And when I wrote that first song, it was as if I had released a breath that I’d been holding in for a century. And it was like, ‘I want another one of those.’ So I wrote another and another, and all of a sudden that doubt and question in my mind began to just melt away.”

I hope you’ll read the whole thing here.

(Video of Brandi in Bend by snowshoe80.)

I attended the Brandi Carlile concert on March 17 at Bend’s Tower Theatre and was pretty much blown away. Here’s an excerpt of my review:

Carlile focused on material from her 2009 album “Give Up the Ghost,” but also dug into her breakout record, 2007’s “The Story,” flanked (as usual) by longtime collaborators and identical twins Tim and Phil Hanseroth. On stage, the three are a soulful study in symmetry, constantly approaching and backing away from their microphones like pistons in a car engine.

They’re also pretty darn tight musically, as proven on a gathered-round-the-mic version of “Oh Dear,” the perfect Hanseroth harmonies on “Looking Out,” and the easygoing, ’70s-inspired chorus of “Late Morning Lullaby.”

But most of all, they proved it with an unamplified take on “Ghost” standout “Dying Day,” played on beat-up guitars at the edge of the stage to take advantage of the Tower’s top-notch acoustics. It was a jaw-dropping performance, a highly skilled jam session transported from some far-away front porch, and unquestionably the highlight of a night full of highlights.

You can see a bunch of photos of the show here, and you can read my whole review here.

Bendites Guy J Jackson and David Finch have a new album called “Odd Frost,” which features Jackson’s surreal poetry set to Finch’s improvised jazz. They’re doing a CD-release show Saturday at Greenwood Playhouse.

“My stories are generally pretty wacky-doo. There’s always some kind of hyper-real aspect in there,” Jackson said. “Bob Dylan’s kind of my big ol’ hero. He kind of walks the universe in his songs … and that’s what I try to do. I think, like, ‘OK, now I need a story about corporate life, and now I need a story about a chicken and his human friend.’”

Jackson said he has long been interested in working with musicians who can score his stories. In Finch, he found a willing and able partner. The two recorded the songs late at night, with no rehearsal. In fact, Finch often hadn’t heard the story before tape began to roll.

“We just started throwing out stuff. I’d say, ‘Give me the feel. Give me the tone,’ and we’d just record it,” Finch said. “It just kind of was magic.”

Read the whole thing by clicking here.

Elsewhere in this week’s music section: Portland hip-hop kingpin Cool Nutz, a CD-release show for Redmond’s Ross Rogers, Bill Nershi and Scott Law return to town, Old Stone Church hosts the “Portland Indie Infusion” with The Dimes, Norman and Tortune, and The Dirty Words play McMenamins Old St. Francis School. And, as always, you can find more in our complete music listings.