–Last but not least, local dance-rock band All You All put out its first EP, called “Fluorescence,” right around the turn of the year. I’m still letting this one sink in, but I definitely hear a little Modest Mouse, Red Hot Chili Peppers, White Denim and White Stripes in the band’s urgent, bouncy sound. Check the EP out below!
(Find all our coverage of the 2011 Bend Roots Revival, including a preview of the event and recaps of all three days, by clicking here.)
Sometimes it seems like my Twitter feed is full of nothing but Bendites who go to every single event in this town, floating from free concert to art walk to seasonal festival to bike race to free concert to art walk to seasonal festival to bike race to … you get the picture.
Yesterday, I felt like one of those folks.
My goal was to arrive at the Bend Roots Revival at 1 p.m. to see Franchot Tone play his disarming reggae-pop, but a last-minute errand put me in the car, driving across town at that time. Community radio to the rescue! I turned my dial to 88.9 FM, where KPOV was broadcasting live from the festival’s BIGS Stage, and listened to at least half of Tone’s set, including several originals, his sharp cover of the Beastie Boys’ “Sabotage” and a frisky funk jam by The Meters.
When I did finally arrive at the Century Center, I ventured first into the courtyard, where a growing crowd and competing noise from two stages made it feel a bit too chaotic. So I retreated to the Good Life Stage for some jazz guitar wizardry from longtime local Rich Hurdle. I’d never seen him before, but his casual style and laid-back sound was an ideal antidote to the hustle and bustle of the courtyard. Here’s his take on “Triste” by bossa nova pioneer Antonio Carlos Jobim:
September is a big month on the local music scene, with the Sisters Folk Festival last weekend and the Bend Roots Revival next.
But the week in between isn’t exactly an opportunity to take a breather. We’ve got a CD-release show from a longtime local, a bunch of great roots-rock shows, some jazz and more.
Bend-based singer-songwriter Laurel Brauns will release her new album tonight at PoetHouse Art. I spoke with her about “House of Snow” (it’s great) and the list of guest artists who play on it (it’s eye-popping).
At 12 tracks and 42 minutes long, (“House of Snow” is) a compact slice of her life, merging Brauns’ Central Oregon experiences with her love of indie-folk-pop and the independent artistic sensibilities of her soon-to-be home, Portland.
The latter comes in the form of several Portland-based guest musicians, including cellists Skip vonKuske and Anna Fritz of Portland Cello Project, organist Jenny Conlee of The Decemberists, and multi-instrumentalist Sam Cooper of Horse Feathers.
Additionally, Nathan Clark lends his sturdy baritone to the proceedings, Franchot Tone plays guitar on a couple of songs, and a chorus of locals take the second track, “Doldrums,” to an ethereal place. A twisted Okkervil River cover and Bend artist Kaycee Anseth’s album art round out the impressive package.
She also revealed that she’s moving to Portland near the end of September.
“I need to be there to make it happen,” she said. “You’ve got to meet the people, shake their hands, see ‘em face to face. They’ve got to hear you play. I think we all delude ourselves (into thinking) the Internet’s this hugely powerful thing that can make all this stuff happen for us, but there’s nothing like actually talking to somebody.”
For Feedback this week, I bounced around the Sisters Folk Festival on Sunday afternoon. Chicago folk singer Joe Pug was the highlight of my day.
On stage, Pug is a soft-spoken but compelling performer who spills his guts into each verse and stares down his microphone as if it just insulted his mother. His eyes remain closed much of the time, but when he opens them, it’s like peering through a window at the downcast desperation that pervades his songs.
That feeling was particularly evident on “Disguised As Someone Else,” a request for forgiveness with a luscious arrangement for two acoustic guitars. And in set-closer “Hymn 101,” when Pug practically spit out the line “I’ve come to say exactly what I mean / and I mean so many things,” you got the sense that his poetry comes from somewhere deeper than most songwriters.
Elsewhere in this week’s music section: Larry and His Flask play a homecoming show, Bobby Bare Jr. headlines McMenamins’ Halfway to St. Patty Day party, Murder By Death comes to The Horned Hand and Jazz at Joe’s hosts Seattle’s Jay Thomas Quartet. Plus, tonight at the Century Center, you can see Mosley Wotta, Marv Ellis, Tony Smiley and Cadence, and your admission fee ($5 if you wear a mask, $10 if you don’t) benefits the Red Cross. What a good deal and a good deed!