Posts Tagged ‘Kylan Johnson’

This week in GO! Magazine’s music section

Friday, May 20th, 2011

Eugene’s sunny pop/rock/reggae band Rootdown returns to Bend this weekend to celebrate the release of its new album “Tidal Wave.” I spoke with frontman Paul Wright about Rootdown’s upbeat music and upbeat message.

“Our banner is one of hope and positive momentum,” Wright said. “We want to be about encouraging people and about bringing hope, and sometimes living in Oregon — at least on our side over here — it can be pretty depressing six or seven months out of the year.

“When it’s sunny here, man, we take notice,” he continued. “We kinda bring that same feeling that I get when it’s springtime and summer starts to hit here. I think we bring that with our show and our music.”

I hope you’ll read the whole thing by clicking here.

Feedback this week focuses on the sudden springtime surge of locally made albums we’re experiencing, and I look ahead at what other local recordings are underway and might be released by the end of the year. Wondering what’s up with Moon Mountain Ramblers, Eric Tollefson, Mosley Wotta, Erin Cole-Baker, Tuck and Roll and a bunch more? Click here to find out.

Elsewhere in this week’s music section, we’ve got the wildly eclectic Vagabond Opera, a showcase of local songwriters Tollefson, Sara Jackson-Holman and Kylan Johnson at McMenamins, the return of the Portland Cello Project, the shred-tastic guitar skills of Jennifer Batten, and some ’90s-influenced indie rock from Slow Trucks, plus a Last Band Standing update.

This week in GO! Magazine’s music section

Friday, April 22nd, 2011

Canadian bass music producer ill.Gates will headline tonight’s “For the Music” party to celebrate Slipmat Science’s ninth anniversary. I spoke with the man about how and why he immersed himself in the world of electronic composition.

Two decades ago, Lane was that upstart kid. He played guitar and piano, but got his first sampler at age 7, went to his first rave at 13, and liked the wide-open horizons of electronic music.

“It just sounded so new and different and fresh,” he said. “At that point, I had learned guitar, but I just felt like guitar music didn’t really need me. I felt like what I was doing was just kind of a commentary on the history of guitar music.

“I got a sampler and thought, ‘These instruments are new. These … have a lot of history left to unfold. This is something I can be a part of,’” Lane said. “I felt (guitars) had been so explored that I was going to have to really struggle to find something new, and I just didn’t want to sound like anyone else. I wanted to do something entirely different. I wanted to have my own thing.”

I also talked to one of the guys behind Slipmat to get the skinny on that crew’s origins. Click here to read them both. (The Slipmat story is on the right, in smaller print.)

Gregory Alan Isakov. Photo by Ben.

Feedback this week is on last Saturday’s wonderful Gregory Alan Isakov concert at the PoetHouse in downtown Bend. What a night. Here’s an excerpt.

Isakov’s set was a blend of old (the downcast “The Stable Song,” the throwback jazz of “Salt and the Sea”) and brand new (he said he’s working on his next album now), plus a stark cover of John Hartford’s “In Tall Buildings.”

Then there was plenty from Isakov’s wonderful 2009 album “This Empty Northern Hemisphere.” The Ryan Adams-esque sway of “That Moon Song” got the biggest response of the night, “Virginia May” rode a likable shuffle, and “Evelyn” gave Isakov’s crack band — drums, keys, cello and violin — a chance to rock out in their own gentle, orchestral style.

The highlight of the night, though, came mid-set when Isakov did a warm, resonant and drop-dead gorgeous song about the universe’s beauty and bruised feet, and then followed it with the title track from “This Empty Northern Hemisphere,” which crescendoed into a swarm of strings and falsetto oohs and ahhs. Isakov’s band has a firm grip on the power of dynamics, and those two songs showcased every inch of their range.

I hope you’ll read the whole thing by clicking here.

Elsewhere in this week’s music section: David Jacobs-Strain’s rootsy blues, Noise-A-Tron’s dark, heavy rock, McMenamins’ ’80s-themed “prom” and the Blues, Amuse & Brews benefit for Westside Village school. Plus there are a bunch of local acts with good gigs this week, including The Prairie Rockets, OpenFate, Jones Road, Kylan Johnson, Clair Clarke, JazzBros, Concave Perception Chamber and the Brian Hanson Band.