Posts Tagged ‘Hoedown for Hunger’

This week in GO! Magazine’s music section

Friday, November 4th, 2011

Pause.

Playback, rewind.

Pause.

Collie Buddz’s music isn’t normally my thing, necessarily, but I am addicted to this song. It’s hypnotic!

On Wednesday night, Buddz will drop into the Domino Room in Bend for a night of reggae-infused club-pop. My colleague David Jasper spoke with him and his alluring Bermudan accent last week. Here’s an excerpt of the resulting article.

Buddz has been called the Eminem of dancehall, and it’s a pretty apt comparison given his skin color and choice of genre. Like Eminem’s Detroit roots, his childhood in Bermuda, where the Jamaican influence is high, lends Buddz a credibility you can’t manufacture (see: Vanilla Ice).

Either way, he seems perfectly capable of bringing in fans like moths to the flame, even if Bob Marley might roll over in his grave (dreads permitting) if he knew this is what people are calling reggae in 2011. Buddz’s sound is slick and worldly, and the production value on “Playback” is set at 11.

Phoenix New Times, an alt-weekly in Arizona, sums up this sound quite well: “Buddz rarely sounds like a traditional reggae singer — songs like ‘World A Girls’ from his new record, ‘Playback,’ owe as much to Marvin Gaye soul and early G-Funk ambiance as … dancehall heaters.”

Jamaica’s become a regular stop for Buddz, who says that to Jamaicans, “it’s not about the color, it’s about the music, and Jamaicans know their music. Like, you go dancing down there, you don’t know what tunes you’re gonna hear.

“But it’s definitely harder” to earn acceptance there as a white reggae artist, said an undeterred Buddz. “You just have to work that much harder.”

You should read the whole thing by clicking here.

Elsewhere in this week’s music section: Sapient’s new record is dope, Scott Fisher returns to town, Excellent Gentlemen get funky, Tyler Fortier presents his third album of the year, and Archeology might be the next big thing out of Portland. Plus Nicki Bluhm & The Gramblers, The Young Lions of Jazz, Hoedown for Hunger, a High & Dry Bluegrass Festival benefit with master mando man Radim Zenkl, and details on Sunday’s memorial for local metal guitarist Don Adams.

November 6 in GO! Magazine

Friday, November 6th, 2009

Man, it’s windy outside as I write this. Fall is finally, really here. Or maybe that’s winter.

Whatever, the seasons may change, but the local music scene churns on. This weekend’s lineup is highlighted by some Canadian hip-hop, some Irish punk rock, and a benefit for the folks in our own community who need it most.

Hey … if you go out and see some music and snap a few pictures, why don’t you add them the Frequency’s Flickr pool?

-Two years after Flogging Molly packed the Midtown Ballroom, their fellow Irish-punk rockers Dropkick Murphys are visiting the same venue on Sunday. Read Al Barr’s take on the band’s success and what it has meant for their fan base.

-Swollen Members ought to consider just renting a place in Bend, perhaps. They’re back tonight, just a couple months after opening for Kottonmouth Kings at Midtown Ballroom. This time, though, the Canadian rap quartet is touring behind its brand new album, “Armed to the Teeth,” and will headline the Domino Room.

-For the fourth year in a row, a lot of local folk/bluegrass/Americana bands are gathering at Bend’s Community Center for Hoedown for Hunger, where proceeds will benefit the center’s Feed The Hungry program.

-California’s softcore ska dudes the Mad Caddies played at Mountain’s Edge bar in Bend on Sunday. I dug it.

-Elsewhere in town this week, Dana and Susan Robinson play a house concert, Shireen Amini settles into Jackson’s Corner, The Snag will do a free show at a church, and Cloaked Characters and The Bayliens will light up the Bendistillery Martini Bar.

As always, not all those stories will be available to everyone. If you run into a paywall, you’ll need to subscribe to The Bulletin’s online edition or, better yet, pick up a print copy of today’s paper.