Posts Tagged ‘Flannel Bandana’

This week in GO! Magazine’s music section

Friday, March 30th, 2012

Unless I’m forgetting something, the Brooklyn, N.Y.-based prism-pop band Rubblebucket’s three shows in Bend so far have been on relatively big stages at relatively big events (i.e. not just a headlining bar gig).

First, they played for a sea of people at The Bite of Bend. Then they played an opening slot before Ozomatli at last year’s Cinco de Mayo celebration downtown. And then they played a big Halloween party at the Century Center.

So this Sunday’s Rubblebucket show at Players Bar & Grill will be the first chance Bendites have to catch the band in the cozy confines of a small bar. If you’re not looking forward to this, you should be. I am.

This week, the GO! Magazine cover story focuses on Rubblebucket and its new live album and DVD “Live in Chicago.” Frontwoman Kalmia Traver told me why the band is putting out a live album now.

“We’ve been crafting our live shows since the very beginning,” Traver said. “We’ve toured so much (and we’ve) played all over the country, and … we all had it in our minds that we would love to try to capture this and really get a good representation of it.”

So last fall, a small army of professional tapers attended a handful of Rubblebucket concerts, and (a film crew) showed up to the Double Door, and when it was all said and done, the band felt it had something that folks awed by the live show could take with them to approximate the experience at home.

“People are always sort of complaining, like, ‘Yeah, we like your albums, but it’s nothing like your live show,’” Traver said. “They told us we really needed to get this out there, so we did.”

I hope you’ll click here and read the whole thing.

Galactic at the Domino Room in Bend. Photo by Andy Tullis / The Bulletin

My Feedback column this week is a bit wishy-washy. Basically I say that Galactic was terrific but I didn’t totally love the show, then I tell you why they were terrific and don’t tell you why I didn’t love ‘em. Whatever. Here’s an excerpt:

Anchored by the devastatingly heavy rhythm section of Stanton Moore (drums) and Robert Mercurio (bass), Galactic pumped out slab after slab of furious funk-rock, laying down a firm foundation for guest vocals by Corey Glover (of Living Colour fame) and killer trombone work by Corey Henry of Rebirth Brass Band.

Each man fit snugly into Galactic’s galaxy. Henry was a multitasker, mostly putting on a hornblowing clinic, but also prowling the stage, looking cool, and occasionally taking the microphone to rap and sing.

Glover, on the other hand, felt like an integral part of this thick, moist cake, adding his powerhouse vocals to songs like the heavily Big Easy-flavored “Hey Na Na,” the deeply funky “You Don’t Know”, and a blistering cover of seminal ‘70s soul artist Swamp Dogg’s “Total Destruction To Your Mind.”

Besides his big voice, Glover also gave Galactic a little bit of grit. So when he left, the band turned into a finely tuned funk machine, with every piece working together smoothly, and nary a note out of place. Especially impressive were the spirited melodies of “Karate,” as well as “Keep Steppin’,” which opened the second set with an ominous groove before giving way to Henry and saxophonist Ben Ellman for some electrifying work on the horns.

Click here to read the whole thing.

Elsewhere in this week’s music section: Rachel Brooke, Viva Le Vox and Boom Chick, Stephanie Schneiderman, Culprit and Ticktockman, Trent Romens, Flannel Bandana, Matt Miller, If Bears Were Bees and more!

This week in GO! Magazine’s music section

Friday, February 24th, 2012

Everywhere you look these days, it’s Bobby Lindstrom, Bobby Lindstrom, Bobby Lindstrom.

The Bend-based blues/rock singer-songwriter seems to get more gigs ’round here than just about anyone else.

So we decided to write about him!

This week, Bobby’s playing four shows in five nights. My colleague David Jasper met up with him earlier this week and found about his background and the clarity that comes with being clean and sober.

When he was 17, (Lindstrom) and a friend attended a recording seminar at Brigham Young University in Provo, Utah, and decided to hitchhike from there to Oxnard, Calif. “His cousin lived there, and he wasn’t home. We sat out on his porch, and I started playing the blues, just like that,” Lindstrom said. “I’m like, ‘Dude! Check this out! This is so easy, man.’ After that I started listening to B.B. King, Jimmy Reed, Taj Mahal, Little Richard.”

He’s been writing and playing the blues ever since. The hale, 58-year-old father of a 31-year-old son, Lindstrom describes himself as a recovering addict. He’s had a rebellious tendency and an addictive personality from childhood — “long before I found drugs,” he said — and has been clean and sober since 1995.

Following rehab, Lindstrom launched into a flurry of writing and recording, and has released a string of six albums since 1999. His most recent two are 2010’s “Hungry, Cold & Blue” and “Bring It On,” released last year. A disc of blues standards is slated for release this year. (Lindstrom’s albums are available at www.reverbnation.com/bobbylindstrom.)

“It’s been curious watching myself, as I learn to write and play and start to get some success. Success is the strangest thing for a recovering addict. All of a sudden, everything is working,” he said. “The last couple of years, everything that I’ve been through is starting to make sense. It’s starting to come into focus.”

I hope you’ll click here and read the whole thing.

Boots Riley and The Coup

For my Feedback column this week, I spent Saturday night taking in some hip-hop: The Coup, Busdriver and Buck 65 at Bend WinterFest. Here’s an excerpt:

To paraphrase that great, graceful star of stage and screen known as Meat Loaf, I would do anything for a quality hip-hop show in Bend … even that.

And by “that” I mean “traipse around Bend’s west side on a bone-chilling February night to see three interesting and imaginative rappers perform in a town that has experienced a dearth of good hip-hop in recent months.”

Even that, I would do.

Let’s get this out of the way: Saturday night was cold. So, so cold. Cold enough that my brilliant plan to park at the Century Center, walk a mile or so to Bend WinterFest to see Oakland-based funk-hop group The Coup on an outdoor stage in the Old Mill District, and then walk back to the Century Center for an indoor afterparty show by oddball rappers Busdriver and Buck 65 didn’t seem so brilliant at about 9:45 p.m., as I trudged along Simpson Avenue, teeth chattering.

What can I say? I don’t look at weather forecasts.

I promise the whole thing isn’t about me. In fact, the rest is about the shows. Read the whole thing by clicking here.

Also in this week’s music section: G. Love & Special Sauce return to the Domino Room, Greensky Bluegrass is back in town tonight, and a ton of locals: Five Pint Mary, Rural Demons, Blackflowers Blacksun, Johnny Forrest, Boxcar Stringband, Flannel Bandana. Plus we’ve got a photo album of Third Seven’s tour of Europe right here. He’ll play a homecoming show Monday.