Posts Tagged ‘Filastine’

This week in GO! Magazine’s music section

Friday, April 6th, 2012

Tonight at the Domino Room, local bass/beat collective Slipmat Science will throw another party as part of what has been a very busy winter for the crew. But this one, in my opinion, features the two best headliners of the bunch.

That is, of course, just a matter of taste. I’m sure many folks like Beats Antique or Tunnidge or Knight Riderz more than Filastine and Heyoka. But for me, these two dudes — one from Barcelona, one from the Bay Area — are the most enjoyable electro-wizards Slipmat has brought to town over the past few months. So click their names in the previous sentence and see if you agree. And read on …

My colleague Sigourney Nuñez’s interview with Filastine turned out great, I thought. He comes off as a really interesting, thoughtful guy who feels somewhat trapped between his techno-futuristic sound and his innate desire to get as far away from the grid as possible. An excerpt:

On stage, Filastine projects sights to accompany sounds from a laptop computer and an amplified shopping cart wired with what he calls electronic gadgets: drum pads and touch screens with different interfaces to control audio and video, just to name a couple.

Each song has a theme, so during performances he curates visuals from his library of videos grabbed from documentary footage.

“It’s about storytelling,” he said. “It’s a complex performance in less than an hour. I’d rather people hear and see what I do and come to their own analysis.”

As a multimedia performer, Filastine is surrounded by technology.

“My art involves computers. These tools that are so phenomenal will literally eat our lives and we just gotta take a break from that,” he said. “I find it really hard to find that time. What I do is try to spend time away from computers, roads and electricity so that usually involves going into the ocean, mountains and deserts, just to reconnect without technology.”

Click here to read all about Filastine.

Elsewhere in this week’s music section*: OK Sweetheart plays The Horned Hand, The Shook Twins visit McMenamins, Beth Wood and Shireen Amini collaborate at Higher Ground Common House, the Bobby Lindstrom Band celebrates its new album, The Horned Hand hosts separate shows by Filthy Still and The Calamity Cubes, and Les Schwab Amphitheater unveils its Summer Sunday Concerts lineup. Plus The Anvil Blasters, CinderBlue, RaiseTheVibe, and sold out concerts by Bruce Hornsby and Glen “Toad the Wet Sprocket” Phillips.

*Normally, I would provide you with a link to the music section, but we’re having technical difficulties right now, so if you want to read any of those stories, just search here.

Get to know Filastine (“Colony Collapse” video / in Bend April 6)

Tuesday, March 20th, 2012

If you went to see Beats Antique at Midtown Ballroom in February, and you got inside early enough and were paying attention, then you may have caught a dynamic opening set by transglobal bass-music maker Filastine. The radical DJ/producer ignores electronic music’s current obsession with “the drop” and instead pieces together melodic patchworks of reliable low-end wobble, cosmopolitan samples, junkyard percussion and revolutionary ethos that’s far more interesting (and listenable) than many of his more well-known contemporaries’ work. Bottom line: Anyone can throw a party. Filastine throws a party with a point of view.

The guy’s outstanding new album — “£00T” — comes out April 3, and he’ll stop in Bend April 6 for a Slipmat Science show with Heyoka and others. (More details here.) In the meantime, dig into Filastine’s work, beginning with his new(ish) video for the song “Colony Collapse.”