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FEBRUARY 13, 2012 07:17 PM

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Posts Tagged ‘Eric Tollefson’

This week in GO! Magazine’s music section

Friday, August 26th, 2011

The popular and prolific singer-songwriter Ben Harper returns to Bend tonight for the first time in more than five years. And lucky us, he’s currently touring behind the best album of his long career, “Give Till It’s Gone,” which was released in May.

Here’s Harper doing one of the intensely raw and personal songs from the album.

Here’s part of what I wrote:

“Give” is the man’s best work yet, kicking off with the melancholy tone of “Don’t Give Up on Me,” the slow-burn defiance of “I Will Not Be Broken” and the playful, Wilco-esque chug of “Rock N’ Roll Is Free.” Later, Harper tries to find hope in a doomed relationship as “Pray That Our Love Sees the Dawn” lopes along an understated groove.

Occasionally, the somber fog lifts. “Clearly Severely” and “Do It For You, Do It For Us” are, quite simply, scorching rockers that sound like catharsis happening inside your headphones. And the album’s high point is also it’s centerpiece: two sprawling, psychedelic songs (co-written by Ringo Starr) called “Spilling Faith” and “Get There From Here” that flow together and stand out as an oasis of hope in a murky sea of anger and regret.

But it’s that “lens of anger and regret,” the L.A. Times pointed out in its review of “Give” back in May, that “provides Harper a musical focus he’s never had.” And it’s that focus that sets Harper’s newest work apart from his too-often unremarkable back catalog.

I hope you’ll click here and read the whole thing.

Next up: After years gigging around Bend, local musical couple The Quons have their first album ready for release and they’ll celebrate it with a big CD-release show Saturday at PoetHouse Art. Click here to read my feature story on these fine folks.

Elsewhere in this week’s music section: Brothers Young and Hurtbird play an early show at Parrilla Grill, Maverick’s Country Bar hosts the twangy Lee Brice, and eclectic singer-songwriter Nathan Leigh hits The Sound Garden. Plus The Mostest and the Shireen Amini Band at Parrilla, a heavy bill (Stillfear, Tentareign, Sons of Dirt) at Players, Eric Tollefson plays a free show in Redmond and Blackstrap takes their bluegrass to Elk Lake Resort.

This week in GO! Magazine’s music section

Friday, May 20th, 2011

Eugene’s sunny pop/rock/reggae band Rootdown returns to Bend this weekend to celebrate the release of its new album “Tidal Wave.” I spoke with frontman Paul Wright about Rootdown’s upbeat music and upbeat message.

“Our banner is one of hope and positive momentum,” Wright said. “We want to be about encouraging people and about bringing hope, and sometimes living in Oregon — at least on our side over here — it can be pretty depressing six or seven months out of the year.

“When it’s sunny here, man, we take notice,” he continued. “We kinda bring that same feeling that I get when it’s springtime and summer starts to hit here. I think we bring that with our show and our music.”

I hope you’ll read the whole thing by clicking here.

Feedback this week focuses on the sudden springtime surge of locally made albums we’re experiencing, and I look ahead at what other local recordings are underway and might be released by the end of the year. Wondering what’s up with Moon Mountain Ramblers, Eric Tollefson, Mosley Wotta, Erin Cole-Baker, Tuck and Roll and a bunch more? Click here to find out.

Elsewhere in this week’s music section, we’ve got the wildly eclectic Vagabond Opera, a showcase of local songwriters Tollefson, Sara Jackson-Holman and Kylan Johnson at McMenamins, the return of the Portland Cello Project, the shred-tastic guitar skills of Jennifer Batten, and some ’90s-influenced indie rock from Slow Trucks, plus a Last Band Standing update.

This week in GO! Magazine’s music section

Friday, October 29th, 2010

Political folk-punk legend Billy Bragg descends upon the Tower Theatre on Tuesday night. My colleague David Jasper wrote a terrific article about his conversation with the man, which bounced from the power of Facebook to America’s upcoming midterm elections, and from Bragg’s program to put guitars in the hands of inmates to the catharsis of writing songs about things that piss you off. I’m not even going to try to excerpt the thing; trust me, you should go read the whole story by clicking here.

Elsewhere in the music section: Feedback focuses on the strong slate of shows coming up over the next few months, including newly announced dates by acts like Dick Dale, Brother Ali and Lucero. And this week, we have Yard Dogs Road Show, DJ Professor Stone, Jukebot!, Eric Tollefson and Boxcar String Band, plus a slew of locals playing Halloween parties. And if all that leaves you wanting, there’s always The Bulletin’s complete music listing.

This week in GO! Magazine’s music section

Friday, July 2nd, 2010

Aphrodesia, an Afrobeat (and so much more) band based in the Bay Area, will kick off the 20th season of Munch & Music Thursday. I spoke with bassist and bandleader Ezra Gale about the rising profile of Afrobeat in America.

“I think (Afrobeat) is definitely more in the mainstream consciousness than it was when we started doing this,” Gale said via telephone Monday. “Where I live in Brooklyn, there’s now at least three or four young Afrobeat bands who are playing (in the style of genre godfather Fela Kuti), and I remember when Aphrodesia first started, as far as we knew, it was us and (New York’s) Antibalas. It really was this new thing. Nobody knew who Kuti was, and we were playing this music that felt obscure.

“It’s important to keep it in perspective, because there are things that are pushing it into the mainstream (such as the Kuti-focused “Fela!” Broadway musical), but at the same time, when you talk about most people in this country, most still have never heard of it, really,” he said. “So us Afrobeat musicians kind of live in a bubble. To us, it may seem sort of played out and passé, but in fact, it’s still new to probably 98 percent of people.”

Accompanying the Aphrodesia story are a few words from Munch & Music founder Cameron Clark on what two decades of the popular, free concert series means to him. I hope you’ll click here and read it all.

Also in the music section this week:

New recorded music just keeps on coming from Bend’s ridiculously productive scene. This week, I wax poetic about the new album from Sara Jackson-Holman (“it’s an aural tractor beam, drawing me in over and over again”), who’ll hold a CD-release show Monday, and The Autonomics (“bruising rock ’n’ roll that draws influence from both modern and classic sounds”), who’ll celebrate their new EP with a show tonight.

Elsewhere, we’ve got all the details on the Breedlove Festival, a concert and barbecue at Maragas Winery, Lisa C. Pollock’s Indie Freedom Tour at Silver Moon Brewing, Eric Tollefson and the Show Us Your Spokes lineup, Curtis Salgado and the Picnic in the Park lineup, folk singers Kasey Anderson and Anastacia, and a scaled-down Pinback returning to the Domino Room. And as always, you can find lots more in The Bulletin’s complete music listing.

This week in GO! Magazine’s music section

Friday, April 9th, 2010

Oregon hard-rock legends Floater are back in town this weekend, this time for two shows — electric tonight and acoustic on Saturday — at Mountain’s Edge. Frontman Rob Wynia agreed to an e-mail interview and then answered all my questions in a way that surely set a record for correct grammar usage in a band interview. Here’s a piece of it:

GO!: Portland’s music scene has long had a strong reputation, perhaps never more so than right now. And yet Floater has always sort of existed outside the normal channels of press praise, scene backslapping, etc. Do you ever look at what’s happening there and sort of gloat at the fact that Floater has achieved what it’s achieved without necessarily playing by the traditional rules?

RW: At first (years ago) I felt hurt by the fact that no matter what we did the press seemed to either hate Floater or simply ignore us. But the shows are such a total blast, and the fans are so vocal and supportive that eventually you just say f–k it. The flip side is that on the rare occasions when you are praised in the press you have to sort of ignore that too. You can’t have it both ways. If everybody hated us then we’d play in our garage for each other. But since it seems in general to only be critics, then screw ‘em.

You can read the whole thing here.

Also in this week’s music section: indie-folk singer Sean Hayes plays a Bend yoga studio, one-man rock show Tony Smiley returns to town, can’t-miss Michiganders Frontier Ruckus play the Wednesday-night gig at McMenamins Old St. Francis School and local fave Eric Tollefson hits Silver Moon, plus The Luce Cruz tonight at Parrilla Grill, Allan Byer on Saturday at Cork Cellars in Sisters, and the Thumbprint Collective hosts an “Open Lab” Wednesday at Bendistillery Martini Bar. And if you’ve found nothing to suit you so far, you can always find more in our complete music listings.

[Video] Eric Tollefson and the World’s Greatest Lovers go to L.A., Act III: It’s Like Changin’ A Drum Head

Wednesday, March 31st, 2010

OK, it’s been a couple weeks since our last video update from Bend-based blues-rock band Eric Tollefson and the World’s Greatest Lovers‘ trip to Los Angeles to play at the world-famous Whisky a Go Go club in Hollywood. (Here are parts one and two.) It took ‘em a while to edit this, and by now, the band is back, the gig is ancient history, and so on. But, in the interest of completeness, I’m going to go ahead and post the third and final installment of their video diary, which includes some pre-show shenanigans, still photos from the show (no video cameras allowed inside), and footage of the group doing something every touring band must master: changing a tire. Thanks to Tollefson and the Lovers for putting this and the previous videos together and taking Frequency readers along for the ride:

[Video] Eric Tollefson and the World’s Greatest Lovers go to L.A., Act II: Family Day

Sunday, March 7th, 2010

The Bend-based blues-rock band Eric Tollefson and the World’s Greatest Lovers headed down to Los Angeles to play at the world-famous Whisky a Go Go club in Hollywood, and they’re keeping a video diary of the journey for Frequency. Here’s part two, “Family Day,” which includes some cooking tips from guitarist Tim Schroeder and the whole crew goofing off around the house they’re staying at in Huntington Beach:

[Video] Eric Tollefson and the World’s Greatest Lovers go to L.A., Act I: The Gas Just Disappears

Saturday, March 6th, 2010

The Bend-based blues-rock band Eric Tollefson and the World’s Greatest Lovers are heading down to Los Angeles to play at the world-famous Whisky a Go Go club in Hollywood, and they’re keeping a video diary of the journey for Frequency. Here’s part one, which features Sigur Ros, Flight of the Conchords, some bathroom humor and a lesson on how not to pump gas from keyboard man Keith O’Dell:

Stay tuned to Frequency for future updates from the band!

Video: Eric Tollefson, “Battle For the Sea” live at the Domino Room

Wednesday, February 24th, 2010

I was goofing off on the Internet recently and ran across this high-quality, multi-camera video of Eric Tollefson and band playing “Battle For the Sea” at the Domino Room last September, when they opened for G. Love & Special Sauce. (Review here.) Check it out if you’re a Tollefson fan, or you’re unfamiliar with him but curious, or you’re just bored.

Locally, Tollefson and his band — the newly christened World’s Greatest Lovers — will play at McMenamins Old St. Francis School a week from tonight before heading back down to Los Angeles for another gig at the world-famous Whisky a Go Go on March 6.

(Video found at tsononelovet1‘s YouTube channel.)

This week in GO! Magazine’s music section

Friday, February 19th, 2010

New York City ska pioneers The Toasters will play twice at Mountain’s Edge this weekend, once on Friday and once Saturday. Here’s a clip of my conversation with founding member and frontman Robert “Bucket” Hingley:

GO!: I read somewhere about your efforts to run The Toasters according to a set of core principles. Can you tell me about those principles?

Bucket: What we’ve tried to do is always keep in touch with the fans and (not decline to) play shows because the venue wasn’t big enough or we didn’t have a nice hotel, or that kind of stuff. We still run it like a punk-rock band in that sense.

Otherwise, it’s about sticking to your own music and not trying to follow trends, and not writing tunes to sound like something because the record label wants you to do that. I think just sticking to playing 2 Tone ska music, which hasn’t always been popular, I think that’s what’s helped us stick around for a long time, because people appreciate that.

Read the whole thing here.

I saw The Gourds for the first time in 12 years last weekend and loved it. Here’s part of my review:

Russell introduced “Hallelujah Shine” with a stark verse of “Amazing Grace,” only to giggle halfway through while watching snowriders racing down the giant rail-jam structure standing tall behind the audience. Smith tore through one of his best songs, “LGO,” singing past his ever-present toothpick as Bernard played the song’s serpentine accordion riff.

Then Russell shifted from “Country Gal” into Queen’s “Fat Bottomed Girls,” tossing in a Joe Cocker impression just for fun. Or maybe to stay warm, because the band looked cold, especially Johnston. Even a few reminders of home — a colorful zarape in the kick drum, cases of Tecate beer just offstage — couldn’t make Central Oregon feel like Central Texas.

You can read the whole thing here. The video above was shot by stephsmomfr. Frequency has video of the show here and a bunch of great photos here.

Elsewhere in the music section: Greg Botsford’s CD-release show, Moonalice returns to Bend and Jukebot plays Silver Moon, plus The Confederats, Blowin’ Smoke, Eric Tollefson and Shireen Amini, Tentareign and The Sofa Kings, The Sweet Harlots, Hot Tea Cold and Empty Wotta. And, as always, complete music listings are here.


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