Posts Tagged ‘Bobby Lindstrom’

This week in GO! Magazine’s music section

Friday, April 6th, 2012

Tonight at the Domino Room, local bass/beat collective Slipmat Science will throw another party as part of what has been a very busy winter for the crew. But this one, in my opinion, features the two best headliners of the bunch.

That is, of course, just a matter of taste. I’m sure many folks like Beats Antique or Tunnidge or Knight Riderz more than Filastine and Heyoka. But for me, these two dudes — one from Barcelona, one from the Bay Area — are the most enjoyable electro-wizards Slipmat has brought to town over the past few months. So click their names in the previous sentence and see if you agree. And read on …

My colleague Sigourney Nuñez’s interview with Filastine turned out great, I thought. He comes off as a really interesting, thoughtful guy who feels somewhat trapped between his techno-futuristic sound and his innate desire to get as far away from the grid as possible. An excerpt:

On stage, Filastine projects sights to accompany sounds from a laptop computer and an amplified shopping cart wired with what he calls electronic gadgets: drum pads and touch screens with different interfaces to control audio and video, just to name a couple.

Each song has a theme, so during performances he curates visuals from his library of videos grabbed from documentary footage.

“It’s about storytelling,” he said. “It’s a complex performance in less than an hour. I’d rather people hear and see what I do and come to their own analysis.”

As a multimedia performer, Filastine is surrounded by technology.

“My art involves computers. These tools that are so phenomenal will literally eat our lives and we just gotta take a break from that,” he said. “I find it really hard to find that time. What I do is try to spend time away from computers, roads and electricity so that usually involves going into the ocean, mountains and deserts, just to reconnect without technology.”

Click here to read all about Filastine.

Elsewhere in this week’s music section*: OK Sweetheart plays The Horned Hand, The Shook Twins visit McMenamins, Beth Wood and Shireen Amini collaborate at Higher Ground Common House, the Bobby Lindstrom Band celebrates its new album, The Horned Hand hosts separate shows by Filthy Still and The Calamity Cubes, and Les Schwab Amphitheater unveils its Summer Sunday Concerts lineup. Plus The Anvil Blasters, CinderBlue, RaiseTheVibe, and sold out concerts by Bruce Hornsby and Glen “Toad the Wet Sprocket” Phillips.

*Normally, I would provide you with a link to the music section, but we’re having technical difficulties right now, so if you want to read any of those stories, just search here.

This week in GO! Magazine’s music section

Friday, February 24th, 2012

Everywhere you look these days, it’s Bobby Lindstrom, Bobby Lindstrom, Bobby Lindstrom.

The Bend-based blues/rock singer-songwriter seems to get more gigs ’round here than just about anyone else.

So we decided to write about him!

This week, Bobby’s playing four shows in five nights. My colleague David Jasper met up with him earlier this week and found about his background and the clarity that comes with being clean and sober.

When he was 17, (Lindstrom) and a friend attended a recording seminar at Brigham Young University in Provo, Utah, and decided to hitchhike from there to Oxnard, Calif. “His cousin lived there, and he wasn’t home. We sat out on his porch, and I started playing the blues, just like that,” Lindstrom said. “I’m like, ‘Dude! Check this out! This is so easy, man.’ After that I started listening to B.B. King, Jimmy Reed, Taj Mahal, Little Richard.”

He’s been writing and playing the blues ever since. The hale, 58-year-old father of a 31-year-old son, Lindstrom describes himself as a recovering addict. He’s had a rebellious tendency and an addictive personality from childhood — “long before I found drugs,” he said — and has been clean and sober since 1995.

Following rehab, Lindstrom launched into a flurry of writing and recording, and has released a string of six albums since 1999. His most recent two are 2010’s “Hungry, Cold & Blue” and “Bring It On,” released last year. A disc of blues standards is slated for release this year. (Lindstrom’s albums are available at www.reverbnation.com/bobbylindstrom.)

“It’s been curious watching myself, as I learn to write and play and start to get some success. Success is the strangest thing for a recovering addict. All of a sudden, everything is working,” he said. “The last couple of years, everything that I’ve been through is starting to make sense. It’s starting to come into focus.”

I hope you’ll click here and read the whole thing.

Boots Riley and The Coup

For my Feedback column this week, I spent Saturday night taking in some hip-hop: The Coup, Busdriver and Buck 65 at Bend WinterFest. Here’s an excerpt:

To paraphrase that great, graceful star of stage and screen known as Meat Loaf, I would do anything for a quality hip-hop show in Bend … even that.

And by “that” I mean “traipse around Bend’s west side on a bone-chilling February night to see three interesting and imaginative rappers perform in a town that has experienced a dearth of good hip-hop in recent months.”

Even that, I would do.

Let’s get this out of the way: Saturday night was cold. So, so cold. Cold enough that my brilliant plan to park at the Century Center, walk a mile or so to Bend WinterFest to see Oakland-based funk-hop group The Coup on an outdoor stage in the Old Mill District, and then walk back to the Century Center for an indoor afterparty show by oddball rappers Busdriver and Buck 65 didn’t seem so brilliant at about 9:45 p.m., as I trudged along Simpson Avenue, teeth chattering.

What can I say? I don’t look at weather forecasts.

I promise the whole thing isn’t about me. In fact, the rest is about the shows. Read the whole thing by clicking here.

Also in this week’s music section: G. Love & Special Sauce return to the Domino Room, Greensky Bluegrass is back in town tonight, and a ton of locals: Five Pint Mary, Rural Demons, Blackflowers Blacksun, Johnny Forrest, Boxcar Stringband, Flannel Bandana. Plus we’ve got a photo album of Third Seven’s tour of Europe right here. He’ll play a homecoming show Monday.

This week in GO! Magazine’s music section

Friday, December 16th, 2011

This week’s music section is like a giant, gaudy neon sign flashing the word “CHRISTMAS!” two feet in front of your face!

There are a bunch of holiday concerts in town this week, and we feature six of them:

–Jazz fusioneers Spyro Gyra at On a Lite Christmas Nite
–Throwback harp-guitarist John Doan does his Victorian Christmas show
–Broadway star Gary Morris plays A Starry Nights Christmas in Sisters
Blind Boys of Alabama have already sold out the Tower Theatre
–Smooth jazz pianist Tom Grant is at The Oxford Hotel
Bill Keale and friends do the holiday Hawaiian-style at The Old Stone

Elsewhere: PoetHouse Art hosts a benefit for paralyzed snowboarder Tyler Eklund tonight, Brandi Carlile’s back but tickets are long gone, a group of Sisters songwriters play at The Barn, and Bobby Lindstrom’s back in town, plus the Josh Hart Project, Little Black Dress, DSkiles Band, Bloodlust and Embrace the Fear. Again, it’s all right here.

This week in GO! Magazine’s music section

Friday, May 13th, 2011

It’s been a long time coming, but Empty Space Orchestra’s new album is here, and that means the local instrumental rock band has a CD-release show on Thursday. I caught up with ESO last week and we talked about their popularity in Bend and taking their show to new towns.

“I don’t really feel like I want it to happen faster,” guitarist Shane Thomas said. “I mean, it would be nice if it would, but we know we’ll have to go to other cities and play for, like, 15 and 20 people. That’s nothing that’s old for us, but it’s definitely nice to be able to come back here and play for (big crowds).”

Saxophonist Graham Jacobs said the band is “pretty excited” to play new towns, a point drummer Lindsey Elias reiterated after acknowledging that well-attended Bend shows are always a boost.

“But it’s also nice to really get in front of the few people that are there in those different cities that have … virgin ears,” she said. “That’s what’s fun, to see people’s reactions to something they’ve never seen before.”

Click here to read the whole thing, won’t you?

(There is another video of Ozomatli performing in Bend on Frequency’s YouTube channel.)

Like most of Bend — OK, not most, but a lot of people — Feedback got swept up in last week’s Cinco de Mayo celebration in downtown Bend. I loved Rubblebucket’s music, missed Todd Haaby, and was wowed by the crowd for the headliner, Ozomatli.

It was a sea of party-hungry humanity: beers aloft, kids on shoulders, smiling faces, sombreros flying through the air and folks finding whatever space they could to dance to the sounds of Ozomatli, the L.A.-based Latin fusion band that headlined the night and charged through a set of fiery songs that only fueled the celebration.

Ozomatli has become world famous for its versatility, and they showcased it in Bend, bouncing easily from hip-hop to cumbia to funk to reggae to straight-up punk rock, reflecting the cosmopolitan sprawl of their hometown. Highlights included the stomping rap-rock of “City of Angels,” an epic, brassy ranchera tune called “Caballito” and “La Temperatura,” a heavily Latin-flavored number that inspired chaos among the crowd.

I hope you’ll read the whole thing by clicking here.

Elsewhere in the music section: Tyler Fortier brings his excellent songs to the Silver Moon, Roger Clyne & The Peacemakers return to town, members of the Hieroglyphics crew headline a hip-hop show and The Bobby Lindstrom band and Sisters Americana Project celebrate new CDs, plus Cicada Omega, Will West and Mumbo Gumbo, and a Last Band Standing update.