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FEBRUARY 15, 2012 02:28 AM

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Archive for the ‘video’ Category

2011 Bend Roots Revival: Day 1

Saturday, September 24th, 2011

(Find all our coverage of the 2011 Bend Roots Revival, including a preview of the event and recaps of all three days, by clicking here.)

Thanks to a previous commitment and then a last-minute decision to go see Subliminal play Nirvana’s “Nevermind” in its entirety (more on that later), I wasn’t able to make as much of the 2011 Bend Roots Revival‘s opening night as I would’ve liked.

I did scoot over to the Century Center in the late afternoon to catch a couple of bands. On the breezy Good Life Stage, local, all-female Americana trio The Prairie Rockets were playing a pleasant set that was perfect for the small Happy Hour crowd that had gathered. (By the way, how nice is that space? Wow. Kudos to Good Life Brewing for creating that little slice of paradise.)

I only had 30 minutes to split between the Rockets and Two/Thirds Trio, and during my 15 minutes with the Rockets, I heard them cover Creedence Clearwater Revival, Bob Dylan, and a folk standard called “Rock Salt and Nails” that was written by Utah Phillips and recorded by, well, just about everyone else. Here it is:

(Sorry for the shaky camera work and cut-off heads. I was wrangling an 18-month-old while shooting both of these.)

From there, I wandered over to the Casey’s Corner stage for a band with one of my favorite names in town, the Two/Thirds Trio. They played this gig as — get this — a quartet, pumping out rubbery, robust funk and jazz that gave the festival’s rootsy Friday-night lineup a little urbane diversity. Here’s one of their jams:

I had to be home most of the evening, so I missed the Moon Mountain Rambler Family Tree party, Billy Mickelson’s Third Seven / Dela Project run, guitar master Brooks Robertson and some other stuff. Before heading over to Grover’s for Subliminal, I checked in hoping to catch Oh Sugoi! (I was told their light show was amazing), but they seemed to be running late. And after Subliminal, I stopped in again and found 75 people or so dancing to the electronic tonic of Flying Kites well after midnight. It was still unseasonably warm.

Today, the schedule really ramps up. Find all our Bend Roots coverage by clicking here.

[Photo / Video] Larry and His Flask, Tuck and Roll, The Confederats at The Horned Hand

Thursday, September 22nd, 2011

I was hoping to find room for this in tomorrow’s GO! Magazine, but we ran out of space. So to the blog it goes!

Helluva show Saturday night at The Horned Hand in Bend, featuring one of the best local punk bills I can remember in my five years here. Tuck and Roll kicked things off with some top-notch pop-punk, followed by a furious set from local old-school shredders The Confederats. Both bands have been scarce around town in recent years, so it was great to see them rip it up.

The Flask was awesome, as always, nailing all their originals and covering Thin Lizzy, Marvin Gaye and someone else I can’t remember (I think?). You can tell that playing scores of sets in all sorts of circumstances this summer on the Warped Tour really honed the band’s skills and tightened up their show. It’s still a wild time, but not quite the unnerving chaos it was, say, 18 months ago. It’s more of a controlled chaos these days.

Of course, on Saturday, a little bit of that control may have been because of the distance between the band and most of the crowd. Apparently — and this is based on one side of the story, but seems to be basically accurate — The Horned Hand received notice before the show that their legal capacity would be dropped from 200 to 49 thanks to some sort of structural issue cited by the city of Bend’s fire marshal. (More on that soon, I hope.) As a result, Hand owner Wesley Ladd, fearful of a fine for being over capacity, allowed 49 people inside the building and kept the other 100+ outside, where they crowded around an open bay door to watch the show. (The Flask played inside, in front of the stage, but walked out into the throng several times, which made me wonder if that meant others could come in under the one-in, one-out policy.)

It was a little awkward — the Hand can clearly hold a lot more than 49 people — but I thought overall it was a decent solution, and the best Ladd could do in a tough spot. But then, I was inside. I don’t know how the people outside felt; I did see mostly smiles and friendly interactions with the big dudes whose job it was to keep them out all night.

Photos and moving pictures! (Thanks to Adam Sears for the videos.)

LARRY AND HIS FLASK

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[Video] John Wesley Coleman, Rayon Beach at The Horned Hand

Thursday, September 8th, 2011

My memory on this one is a little fuzzy, but this I know for sure: At some point in the past, present or future (probably the past), John Wesley Coleman and Rayon Beach played The Horned Hand in Bend, and I was there with my little video camera to capture the clatter.

I’m sure shortly after the show I was full of thoughts and opinions on the bands, but I can’t recall them now. Mostly I remember short, sharp blasts of the Goner/HoZac-style fuzz/scuzz/psych/pop/punk that the jorts-wearing kids are loving these days. Rayon Beach’s tunes were off-kilter and draped in waves of reverb, whereas Coleman’s irresistible riffs and melodies did a better job of cutting through the haze. (Shout-out to his keyboard guy, too, whose playing brought a bit of an E Street Band feel to the proceedings.)

Moving pictures of each band below!

John Wesley Coleman

Rayon Beach

Empty Space Orchestra announces new EP, new video, Halloween date with Rubblebucket

Wednesday, August 31st, 2011

Local post-rock heroes Empty Space Orchestra have just released a new EP called “Dark Matters” and it contains a couple of new songs that are available for free download at their Bandcamp site. Click here to grab ‘em.

The band performed one of those tracks, the jarring, jet-fueled “New Breed of Skank,” in a dark room in Los Angeles in June. Fortunately, the folks at TerrorEyes.tv were on hand to film that performance, and the resulting clip makes ESO look like actual rock stars!

ESO’s next two local shows will be at the Bend Roots Revival on Sept. 24 and a just-announced Halloween night show at the Century Center with the excellent Rubblebucket!

Tonight: Moon Mountain Ramblers’ GoodLife residency (with video!)

Tuesday, August 30th, 2011

Smoke be damned, the weather’s about to get cooler, and tonight’s as good a night as any for a cold brew and some great local music. Tonight at GoodLife Brewing Co. in the Century Center (70 S.W. Century Drive, Bend), local Americana powerhouse Moon Mountain Ramblers will play the third week of their five-week residency, in which they’re offering a themed set each Tuesday through Sept. 13.

Tonight’s theme: “Dawg Music” (eclectic bluegrass by and inspired by David Grisman)

The rest of the series:

Sept. 6 — “British Invasion” (music of the 1960s, including the Beatles and Stones)

Sept. 13 — “Happy Birthday, Bill Monroe” (tunes by the man who invented bluegrass)

The music runs from 7 to 9 p.m. and it’s free.

Here’s video of the band playing the Flatt & Scruggs classic “Doin’ My Time” from last week’s tribute to great bluegrass vocalists.

[Video / Photos] The Shins at the Domino Room

Wednesday, August 10th, 2011

Pop-rock perfectionist James Mercer brought the latest incarnation of The Shins to Bend’s Domino Room Tuesday night as part of a three-night mini-tour that’s notable for two reasons. First, the venues are all Oregon clubs that are considerably cozier than the places the band normally plays. And second, these are the first full-band Shins shows in more than two years, and the first since Mercer replaced all of his longtime band mates and recorded an album with Danger Mouse under the name Broken Bells.

The Shins in Bend. Photo by Andy Tullis / The Bulletin.

A press release ahead of the show said the setlist would likely feature new material, but when all was said and done, Mercer and his band — Joe Plummer of Modest Mouse, former Crystal Skull Yuuki Matthews and singer-songwriters Richard Swift and Jessica Dobson — played only a couple new tunes and focused the bulk of the set on the best stuff from the first three Shins albums. Highlights included a scorching version of “So Says I” that seemed to loosen Mercer up after a skittish first half of the show, and a cacophonous take on “One By One All Day” to cap the night. On the other hand, Mercer has messed with “New Slang,” giving it a less fragile, keyboard-driven arrangement that sapped the song of some — not all, but some — of its charm and beauty. (Swift’s work on the keys was prominent all night.)

Jessica Dobson of The Shins. Photo by Andy Tullis / The Bulletin.

I’ll have more thoughts on the show in Friday’s GO! Magazine, as well as some musings on seeing this version of The Shins. (Spoiler alert: The band is certainly competent these days, but for anyone who saw them before all the personnel upheaval, it’s hard not to view the current lineup as something more like James Mercer & His Mercer-naries. Still, they sounded pretty great.)

For now, though, let’s indulge in some A/V treats. (Apologies for the sound quality on these. I need a better camera.)

First up, a new song that’s slow and sprawling in a laid back, classic rock sort of way, with lyrics that just might reflect Mercer’s feelings about the downsides of stardom and the turbulence of the past few years: “So many times caught up in my head at night with a leash and a label,” he sings at one point. “The way we used to carry on is stuck in my head like a terrible song,” at another. And here’s the second chorus:

“Taken for a fool. Yes I was, because I was a fool.
Following their rules, I guess I was a very honest tool.”

Here’s a cover of David Bowie’s “Ashes to Ashes.”

How ’bout some “New Slang” for your Wednesday morning?

If your ears can handle it, there are videos of “When I Goose-Step” and “Sea Legs” over at Frequency’s YouTube channel, too.

James Mercer of The Shins. Photo by Andy Tullis / The Bulletin.

[Video] Loch Lomond at Silver Moon

Thursday, August 4th, 2011

I had grand hopes of writing a bit about Portland-based chamber-folk-pop band Loch Lomond‘s show at Silver Moon on July 20 to accompany the three videos below.

But I put it off for a day, and then days turned into weeks, and weeks turned into … well, it’s basically been forever since the show. So here are a few quick thoughts, followed by the moving pictures:

–Loch Lomond played a short but sweet show, cramming a bunch of their best tunes into a set that clocked in under an hour. We got “Blue Lead Fences” and “Elephants & Little Girls” and “Ghost of an Earthworm” and “Night Bats.” At least I think they played “Night Bats.” It’s been a while, you know, and I have forgotten things.

–They also rocked harder than I expected, stirring up a relatively stormy clatter in between the gently swooping highs and higher highs of the band’s catalog.

–It was a nice atmosphere, with some obvious friends and family in attendance to watch frontman and Bend native Ritchie Young perform. He gave a shout-out to his mom. Cute.

–Young’s backing band has changed considerably in recent months. Gone, for example, is Dave Depper, another Bendite who has moved on to the Fruit Bats. (More on that in the coming weeks, I hope.)

–Overall, this version of Loch Lomond sounded really tight and terrific, and more balanced than when I saw an almost too delicate performance at the Doug Fir in Portland a few years ago. By contrast, the Silver Moon set was punchy and hooky and never lacking for momentum.

Anyway, watch it for yourself!

[Video] Town Mountain at McMenamins

Wednesday, July 27th, 2011

Sorry for the slow posting, folks. I spent the past few days seeing Fleet Foxes and transporting a pig from Corvallis to Bend, leaving little time for blogging. (Every word of that sentence is true.)

In a town replete with opportunities to see progressive bluegrass played live, it’s nice to see a real traditional combo come through every once in a while. Last week, Asheville, N.C.’s Town Mountain set up shop at McMenamins Old St. Francis School for three nights in a row, and friend of Frequency Adam Sears was there on Thursday with his video camera.

These clips look and sound great, so check ‘em out for some tasty pickin’.

[Video] Polecat at McMenamins

Monday, July 18th, 2011

The friendly folks in the Bellingham, Wash., bluegrass-ish band Polecat came through town twice in the past 10 days or so, once for a set at the Bend Summer Festival and once for a show at McMenamins Old St. Francis School.

My colleague Adam Sears was at the McMenamins show, video camera in hand. His footage is below. As you’ll see, this band pumps up its acoustic sound with drums, electric guitars and a bunch of sounds that wouldn’t be caught dead in traditional bluegrass. It’s pretty cool, so check it out.

Larry and His Flask: new video, album preorder

Thursday, June 30th, 2011

A couple of notes on local thrashgrass blur Larry and His Flask:

1) The guys’ new album, “All That We Know,” is now available for preorder right here. There’s an array of colored-vinyl options for collector nerds, plus one package that comes with a hip flask engraved with the LAHF logo. Awesome!

2) The band filmed its first official video at the Rise Up Warehouse in May, and today, it showed up on Altpress. Behold:

I’m starting to wonder if the Flask might return home from the Warped Tour an even bigger deal than I thought they would. Scroll through their Facebook, Google their name … you’ll find a lot of folks out there falling in love with this band.


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