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FEBRUARY 15, 2012 12:28 AM

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Archive for the ‘venues’ Category

Les Schwab Amphitheater wants your feedback, lineup ideas

Thursday, December 8th, 2011

Despite the recent, unseasonably mild weather, summer concert season at Les Schwab Amphitheater is a long way off, but that doesn’t mean we can’t (A) dream of what artists might be part of the lineup in 2012 (the Schwab’s 10th anniversary, by the way), (B) tell the folks who book the amphitheater who we’d like to see there, and (C) provide a little helpful feedback along the way.

To do so, just click here and take the Schwab’s survey. It’ll take a few minutes, but it’s easy and totally worth it, especially if you love seeing shows at Bend’s largest music venue and want to help shape its future.

(Photo of Sugarland performing courtesy Les Schwab Amphitheater.)

Tonight: Jerry Joseph at the new Astro Lounge

Thursday, July 28th, 2011

This wasn’t in last week’s GO! Magazine because I didn’t know about it, but now I do, so here we go: Downtown Bend bar The Astro Lounge has picked up and moved around the corner, from its longtime home on Minnesota Avenue into a bigger space at 939 N.W. Bond St., between the D&D and Soba Noodle. The Source Weekly has a good look at the new bar right here, and the Astro’s Facebook has a bunch of photos of opening weekend here.

Anyway, the new Astro has been open for almost a week, but tonight it hosts its first major live music as veteran roots-rocker and Bend fave Jerry Joseph returns to town for a solo acoustic show in which he’ll be highlighting songs from his recent album “Into the Lovely” and his 2004 album “Cherry.” Organizers also promise special guests. Not just boring, ol’ regular guests … special guests!

The show will start around 9 p.m. and it’s $10 to get in. Here’s a photo from the Astro’s Facebook page:

[Photos] Opening night at The Horned Hand

Saturday, July 16th, 2011

If a picture is worth 1,000 words, there are 12,000 words below about Bend’s newest art-hangin’ / clothes-sellin’ / music-playin’ / beer-drinkin’ space, The Horned Hand, which I introduced you to right here.

Still, I am going to add a few of my own.

Cobbled together inside the old Repeat Performance building at 507 N.W. Colorado Ave., the venue’s official opening is tonight, when California folk-rocker The White Buffalo performs (9 p.m., $7 advance, $10 at the door). But there was a sort of soft opening last night, featuring music by Harley Bourbon and Boxcar Stringband, beer by Boneyard Brewing (and cans of Old German), and food by The Codfather, a new cart in town that sells fish ‘n’ chips out of a huge red double-decker bus parked just outside The Horned Hand’s roll-up bay door.

The decor is exactly what head Hand Wesley Ladd described when we met last week in what was then a barren, rectangular box. It’s eclectic, full of found objects and thrift-store bargains. Hubcaps, animal horns, interesting art pieces and vintage signs cover the walls, and they’re all for sale, Ladd says. A couple racks of clothing sit along one wall below a stereo system and projector, which last night ran the 1973 cult film “The Holy Mountain” silently on the opposite wall. (It was really, really weird.)

The bar appears to be a couple of kitchen counter slabs draped across several large barrels. The “bar stools” are kegs with pillows on top. Seating is available across the room in both old molded plastic school chairs (one had “Room 126″ scrawled on the back) and bench seats from automobiles. There’s a picnic table up front. It’s just to the left of the stage, which looked to be about a foot tall.

Both bands were great. I had never heard Harley Bourbon before, but they’ve got Lucero’s sandpaper-throated alt-country down pat. I look forward to seeing them again. Boxcar Stringband swings, baby, swings. (Their CD-release show is tonight, by the way.) The place was rockin’ as I approached around 9:45 p.m., and Ladd closed the bay door at 10 p.m. out of respect for the neighbors. The Horned Hand got a lot hotter after that, and pretty soon its crew was cranking up fans in the corners to keep the air moving.

Overall, I’d say it was a successful first night. I’d guess 100 or so folks came through, maybe a bit more, and many seemed to know each other, fueling the feeling that this wasn’t a brand new spot in town, but a longstanding neighborhood hangout. I was talking with local graphic designer and rock ‘n’ roller Dana MacKenzie, and he said “It feels like this place has been lived in for a year.” Or maybe he said eight years. I don’t know. It was loud. Either way, I couldn’t agree more.

Around 11:15 p.m., I headed out the door to find Ladd shushing a group of folks on the front lawn whose chatter was growing louder. That kind of thing is nice to see, and it’s a smart way to go. The Horned Hand has tremendous potential to be a vital cog in Bend’s nightlife and music scene, if it can navigate the hurdles that any business like it faces: red-tape headaches, annoyed neighbors, apathy on the part of locals. I hope it clears all of those and whatever else comes its way and sticks around for a good, long while. You should, too, and you can show your support starting tonight.

To the photos! (Sorry for the quality. I am not a great photographer and conditions were challenging.)

Note The Codfather's double-decker bus just outside the bay door.

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New venue in Bend: The Horned Hand

Friday, July 8th, 2011

An email showed up a couple of weeks ago from local promoter Cassie Moore announcing upcoming shows by The White Buffalo (July 16) and Tornado Rider (July 22), both at something called The Horned Hand.

I found the name alone to be extremely intriguing, so I immediately wrote Cassie back and asked her for more details.

A week later, I was standing in a gray, rectangular building on the corner of Colorado Avenue and Lava Road that, up until last fall, housed the Repeat Performance Sports consignment shop. In case you can’t picture it, it’s located here and it looks something like this:

Giving me a tour was Wesley Ladd, a tall fellow wearing cowboy boots and an impressive beard. Ladd is from Ohio and spent some time in San Diego, but he moved to Bend last year after falling for Central Oregon during a firefighting assignment with the Prineville Hotshots.

He’s also a musician and huge music fan; we nerded out a little bit over our mutual love for the Portland-based metal band Red Fang.

Ladd is leading a small team of folks who are working diligently to get The Horned Hand up and running by the time The White Buffalo arrives. The group has cleared out the space, painted, installed a roll-up bay door, and begun decorating with cool recycled finds like retro lamps, old metal signs, vintage truck parts and mounted animal horns.

Ladd moved to town with hopes of someday operating a music venue along similar lines to The Casbah in San Diego and The Union in Athens, Ohio (a small town that’s home to “one of the best rock ‘n’ roll scenes in America,” he said). Right now, though, he’s starting slow and staying focused on the art/retail aspect of The Horned Hand rather than booking shows. He plans to feature local artists’ work on the venue’s walls, and will offer artwork, clothing and other interesting stuff for sale as part of a retail operation. He says the space will be “in evolution,” constantly adding new art and furniture (both for sale) to keep The Horned Hand’s look and feel fresh. And he envisions a day when the place hosts not only concerts, but comedians, theater, burlesque shows and more.

Ladd also has applied for a license to sell beer and wine, and he’s waiting to hear from fire department officials on the venue’s capacity. (Based on the size of other venues in town, it looks like it will be able to hold somewhere between 100 and 200 people, but that’s just my estimate.)

As for the music, Ladd has Moore booking shows at The Horned Hand and he’s open to other independent promoters using the space. He also hopes to start booking once the venue is up and running. He was mostly mum about what kind of music he’d like to bring in, but the CDs stacked on the stereo in the corner might provide a clue; they range from folk (Townes Van Zandt) to blues-rock (The Black Keys) to heavy stoner rock (Torche, Saviours).

At first, as Ladd and the team work to get the venue off the ground, The Horned Hand might be open on show nights and closed other days while more work is done. You have to crawl before you can walk, after all.

“I’m really pushing for quality not quantity on the shows,” Ladd said. “We really wanna take care of the bands and house ‘em and feed ‘em. If they spend the night, bring ‘em some biscuits and gravy or something. Then they go tell their friends, ‘Dude if you’re going even close to Bend, swing in there because those guys are sick.’”

(All photos taken from The Horned Hand’s Facebook page with permission.)

New venue for live music: The Marilyn

Wednesday, January 19th, 2011

I’ve seen rumblings about this place on Facebook, but today, the official press release showed up: The Marilyn is a new bar, lounge and live-music venue at 415 N.E. Third Street, located a block south of Franklin Avenue behind Kayo’s Dinner House.

The Marilyn used to be Kayo’s Lounge and is connected to the dinner house; access is through the main restaurant’s lobby or the back entrance. Its name is derived from the Marilyn Monroe/1950s theme, and it’s owned by Kayo Oakley, though Ryan Huffman — a local marketing/branding/design guy who has been heavily involved in the local music scene in recent months — is handling event booking for both the bar and a banquet hall downstairs.

Here’s The Marilyn’s current lineup, which can be found at its Facebook page:

Friday — The JZ Band, Anastacia, stand-up comedian Mark Vaughn
Saturday — Franchot Tone
Feb. 4 — JoAnna Lee
Feb. 5 — Two/Thirds Trio
Feb. 12 — Brian Hinderberger
Feb. 14 — The Quons

All shows are from 7:30-9:30 p.m., and they’re free. Huffman said there are no current plans to charge a cover.

Huffman’s “immediate focus” is on Saturday nights and booking the “best artists in town,” plus mixing in stand-up comedy on occasion, he said. Live music will also happen on Friday nights and other nights throughout the week “but on a random basis for the time being,” Huffman said.

The Marilyn could also host out-of-town performers, depending on how things go, Huffman said. The Marilyn can comfortably accommodate bands of three or fewer, but the downstairs hall (which has yet to be named) holds a full bar, dance floor, fireplace and space for 200 to 250 people, and that’s where Huffman could book quartets, quintets and beyond, he said.

As for food and drinks, both are provided in-house by Kayo’s. The Facebook page touts happy hour drinks priced at $2 to $4 and food at $3 to $5. The Marilyn also has an ongoing deal that every 13th drink poured is on the house. Hours are Monday through Saturday, 4-11 p.m.

If you want to book a show or event at The Marilyn, get in touch with Huffman at ryan@thewhitebull.com or 770.354.9075.

Photo courtesy The Marilyn’s Facebook page.

Les Schwab Amphitheater ditches Ticketmaster for TicketFly, expects lower service fees

Friday, January 14th, 2011

Bend’s Les Schwab Amphitheater has ended its relationship with ticketing behemoth Ticketmaster and partnered with a new company to exclusively provide tickets for the venue’s summer concert series, the amphitheater announced today.

The move to San Francisco-based TicketFly, which provides ticketing services for more than 100 venues across the country, will reduce service charges on tickets by up to 40 percent, according to amphitheater Director Marney Smith. TicketFly will also provide superior customer service and give the venue more control over how tickets are offered to buyers, Smith said.

“I am very excited that we are able to decrease service fees for our guests,” said Marcelene Trujillo, marketing associate for the amphitheater. “TicketFly is a fantastic addition to our team and has the right focus. They make the process of buying a ticket simple and transparent.”

Ticket sales will be available online at the Schwab’s website, over the phone and in person at The Ticket Mill in the Old Mill District. At The Ticket Mill, the first 300 tickets for each show that are purchased with cash will include further discounts on service fees.

The first shows of the 2011 season will be announced in late winter or early spring with the unveiling of a new website for the venue.

A Century Center update with owner Dave Hill (plus a correction)

Friday, December 3rd, 2010

With two cool events happening there this weekend, the new music venue inside Century Center — a retail complex located behind the old Brightwood Mill property on Century Drive in Bend — continues to blossom.

Tonight’s show will feature a headlining slot by local faves Larry and His Flask, and Saturday night is Art for India, with a bunch of local art and a set by Empty Space Orchestra. You can read more about both shows by clicking here.

Dave Hill

Both this weekend’s events benefit local humanitarian organization Rise Up International, and are the result of a tight relationship between the Century Center and Rise Up’s Jesse Roberts, detailed here.

That post, however, implies that Roberts will be the sole person booking music at Century Center, and that is incorrect. Owner Dave Hill wants an array of promoters producing shows at the venue, not to mention non-music events such as weddings, business meetings, fundraisers and the like, he said on Tuesday.

“It’s always going to be a for-rent event center. This is not going to be the rock ‘n’ roll mosh pit. We’re not going to morph into Boondocks or the Midtown,” he said. “We’re going to have a few shows a month, and other people can have shows here and there, but I also want other events here.

“I want to make music a cornerstone of what we do,” Hill said, “but not the only thing we do.”

So far, however, Century Center is doing music well. Bend Roots Revival‘s multi-night, multi-stage format fit the venue like a glove, and a Roberts/Rise Up-booked show by underground rap star Talib Kweli went off without a hitch in mid-November. On Dec. 18, the room will host The Soulstice Jubilee, with performances by Mosley Wotta and Eric Tollefson & The World’s Greatest Lovers, and produced by local booking guru Gabe Johnson’s company, Parallel 44 Presents.

“I want there to be diversity here, because I think it’s good to get more people exposed to the center, and I think it’s good for the neighborhood to have something to come to,” Hill said. “If someone wants to do an event here, it’s fine with me. I don’t want to be the sole promoter, so if other people want to promote, that’s great. But we’re only going to do a certain number of shows, and I just want them to be quality shows.”

Hill and his team have been hard at work improving the event center. What was once a stark concrete room now has interesting, locally produced art on the walls, and dozens of globe lamps hang from the ceiling. Hill has begun furnishing a green room with couches and chairs so performers have a place to relax before and after a show.

Mosley Wotta opens for Talib Kweli at Century Center. Photo courtesy Black Eyed Productions' Facebook.

Hill is also in the process of figuring out a layout for a planned prep kitchen, or caterer’s kitchen, with hopes of completing the work early next year. That way, events can provide their own food by bringing in a caterer or restaurant.

“I’m not going to get into the food business,” he said.

With a capacity of 750 people, Century Center can handle “90 or 95 percent of the events in Bend,” Hill said, and if he wants to do something bigger, he has space outside on the property that can hold well over 1,000. (For the Bend Roots fans, that’s where The B.I.G.S. Stage was.)

When it comes to music, Hill said he doesn’t care what kind fills the space, as long as its well done.

“I’m cool with hip-hop. I’m cool with country. I was raised on classic rock,” he said. “I just like live music, and if it’s good live music, it’s good with me. The community will ultimately weigh in on that (based on) what’s working and what they’re supporting.

“We don’t necessarily have all the answers. We’re just going down the road and seeing what happens,” he said. “I just want to see more live music happen and people having a good time.”

Century Center, Rise Up’s Jesse Roberts plan new music venue in Bend. First booking: Talib Kweli.

Friday, October 8th, 2010

Underground hip-hop legend Talib Kweli will return to Bend on Nov. 20 for a show at the Century Center, the complex of buildings behind the old Brightwood Mill that just hosted the Bend Roots Revival.

Specifically, Kweli will play the large, L-shaped room that held the Century Center stage, right next door to Mailboxes, Etc. Posters for the show call the venue “The Music Mill,” though Jesse Roberts — founder of local humanitarian organization Rise Up International and the man who booked Kweli — said Wednesday that name may not stick permanently.

The name may still be up in the air, but Roberts is definitely working to turn the space into Bend’s newest, bustling music venue. With a capacity of 750 people, the room would provide an option in town for mid-sized touring acts and popular local bands that’s bigger than the Domino Room (cap. ~500) but smaller than the Midtown (cap. ~1,000).

Right now, the plan is for Roberts to be the venue’s talent buyer, he said, and while he has a few things on tap for fall and early winter (including the Kweli show), he’s currently focused on making contacts with artists’ agents, establishing the space’s name and reputation, and booking shows for early 2011.

Century Center owner Dave Hill set aside the room for a future events center/music venue while he was developing the rest of the new retail complex, located at the corner of Century Drive and Commerce Avenue. Roberts got involved this summer, when he helped organize the weekly Hump Day Hash events, which paired local bands with local nonprofit groups.

“I love music and I’ve always loved music,” Roberts said. “I started doing things over there this summer and got to know Dave, and it just kind of went from there.”

Hill is a strong supporter of the local arts scene who envisions the space being used not only for concerts, but also meetings, conferences and beyond. And over the past few years, Rise Up has played an increasingly large role in the local music scene, holding benefit concerts in its warehouse on Bend’s east side, promoting local artists like Mosley Wotta, and sponsoring a massive upcoming tour for local pop-punk band Capture the Flag.

But, the Century Center venue would be Roberts’ first real booking gig, and he’s currently trying to learn exactly what kinds of shows Bend will support. He hopes to attract a variety of genres, from hip-hop to country to indie rock, and he would like to use the shows to promote the local arts scene whenever possible. For example, one of the opening acts for Talib Kweli will be a showcase of local emerging MCs by Poethouse Art‘s education arm, CADA | CASA. There’s even been discussion about someday booking shows at the venue via a nonprofit group, similar to the arrangement at Eugene’s W.O.W. Hall, Roberts said.

First things first, though. For now, Roberts is concentrating on the basics — namely, a website and getting people to return calls to a place they’ve never heard of.

“It’ll be a learning experience, that’s for sure,” Roberts said. “But it’s good to have the support of Dave (Hill) and I’m looking forward to seeing what the community will support. I’m definitely excited.”

Booking change at Silver Moon in Bend

Wednesday, September 8th, 2010

Bend’s busiest venue for live music, Silver Moon Brewing & Taproom on Greenwood Avenue, has a new talent buyer booking shows, and it’s a familiar face to anyone who pays attention to the local music scene.

Gabe Johnson — founder of Bend-based booking agency In the Pocket Artists and guitarist for Jukebot! — has taken over the job from Cassandra Moore, who booked shows for Silver Moon for the past couple of years and oversaw the expansion of the bar’s offerings from mostly acoustic and roots music to a variety of genres, from folk, rock and bluegrass to funk, jazz, reggae, hip-hop and even some electronica.

Moore said she’s going to “take it easy for a bit” and is looking forward to filling her days with something other than a constant stream of e-mails and phone calls from bands wanting to play the Moon. She said she’ll continue to promote shows in town through her independent company, LOUDGirl Productions, including a Sept. 22 Silver Moon date with Ruby Dee and the Snakehandlers, but that she’ll spend at least part of the fall taking some much-needed time off.

“Booking for the Moon has been a great experience,” she said, “but it’s simply time to move on.”

Johnson founded In the Pocket in 2006, and the national booking agency has 20 exclusive artists from across the country on its roster, including Rubblebucket, Head for the Hills, The Macpodz, The Staxx Brothers and Bend’s own Empty Space Orchestra. Johnson has also booked a significant number of the free shows at McMenamins Old St. Francis School and Les Schwab Amphitheater in recent months, plus several of the shows at Bend’s seasonal festivals.

Johnson said he’s taking on Silver Moon’s booking as a “labor of love” and a as fan of both seeing and playing music at the venue.

Here is Silver Moon’s September lineup, which is the final month booked by Moore, with the exception of Sept. 11. October is the first month Johnson is responsible for booking, and he says to expect a very active and hot slate of shows.

Sept. 7 — Open mic hosted by Paul Adams
Sept. 10 — Empty Space Orchestra album fundraising show
Sept. 11 — “Secret Surprise Show featuring the Who’s Who of Bend”
Sept. 22 — Ruby Dee and The Snakehandlers
Sept. 23 — Bend Roots Revival pre-party with Emma Hill, John Shipe

Bendistillery Martini Bar is now Madhappy Lounge, relaunches tonight

Friday, June 25th, 2010

If you’re friends with longtime Bendistillery Martini Bar manager Reggie Martinez (online or in the real world), you know he’s been talking about this for a while, but now, it’s official: Martinez has purchased the bar — located in the breezeway downtown — from Bendistillery and renamed it the Madhappy Lounge.

I talked to Martinez today and he said he officially took ownership of the bar on Monday. He spent this week scrambling to make a few cosmetic changes in preparation of reopening tonight for a weekend full of — what else? — electronic music and hip-hop. Tonight will see Sonicbloom roll through, and Notes from Underground will play the lounge on Saturday. Both shows will begin around 9 p.m.

Martinez, who’s originally from San Diego, moved to Bend in 2003 with dreams of opening a arts/party venue like those he’d seen in bigger cities. In mid-2007, he began DJing at the martini bar, and before long, he was bartending. Soon after, he became the spot’s manager and was given the OK to begin booking music. Since then, the bar has been one of Bend’s busier venues, with frequent performances by DJs and rappers, plus the occasional show by an acoustic, jazz or rock act.

All along, Bendistillery owner Jim Bendis was aware that his manager wanted to own the bar someday, and he wanted to move the company’s sampling room out to its property in Tumalo, Martinez said. Last fall, Martinez began making moves to buy the bar from Bendis, and about two months ago, the two started working in earnest to make the deal happen. After completing extensive paperwork from the OLCC and City of Bend on Monday, Martinez owned the bar free and clear, he said.

Besides giving Madhappy Lounge a good cleaning and “opening up the space,” Martinez will adjust the bar’s food and drink offerings a bit. First to go: the martini glasses. “They’re too costly and they take up too much room,” he said. “So it’s going to be more of a cocktail lounge.” He’s also going to expand the beer selection and provide more of a full bar, and he’ll and adjust the menu “a little.” (He will also continue to carry Bendistillery products and will maintain a close relationship with the company, he said.)

As far as the music offerings, Martinez will continue what he’s always done, though he wants to get back to booking more bands as opposed to just DJs and MCs. (For example, the Bend Jazz Collective will perform at the lounge on Wednesday night.) As of now, Martinez is aiming for an official grand reopening on July 23.

Getting a website up and running is on Martinez’s “to do” list, but until he gets there, you can keep up with his happenings on Facebook, Twitter and MySpace.


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