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NOVEMBER 20, 2009 06:29 PM

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Archive for the ‘ramblings’ Category

Paste’s top 50 albums of the decade. Discuss.

Friday, November 6th, 2009

A month ago, a few Frequency frequenters and I picked apart Pitchfork’s list of the best records of the past decade, and commenter Shannon said she was looking forward to Paste magazine’s picks.

So here it is. (Update: After watching a reader click through and scroll through Paste’s five-page feature, I’ve added the list in text-only format to this post and put it after the jump. Click below to read it and my thoughts.)

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Pitchfork’s top 20 albums of the decade. Discuss.

Friday, October 2nd, 2009

The indie-tastemaking Web site people love to hate, Pitchfork, spent the past few days counting down what it considers the 200 best albums of the 2000s. Last night, the curtain was lifted on the top 20. You can see them here.

Spoiler alert: Radiohead’s “Kid A” is No. 1. Just kidding; you can’t spoil something everyone knew was coming.

So … what do you think? Good call at No. 1? Bad call? Who cares, because Pitchfork SUX? (As I said on Twitter: The incessant slagging of Pitchfork has become far more annoying than the site itself.)

(Speaking of Twitter: #indierockconfessions I have never listened to “Kid A.” I’ve heard a song or two, but don’t own the album and have never heard most of it.)

So yeah, most of the top 10 is pretty predictable (that’s not to say off-base), but I’m surprised to see the Panda Bear album that high. I think it’s an interesting listen, but there’s no way it’s the ninth best album of the past 10 years. Just no way.

I’m also surprised TV On The Radio didn’t crack the top 20. And the idea that “Kala” is M.I.A.’s best album? Over “Arular”? That’s just crazy talk.

What else, what else … um … I’m working on my own list for Frequency and I think there are four albums on Pitchfork’s list that might make my Top 20. Can you guess which four?

OK … enough prodding. Basically, I love, love, love discussing music, so if you want to discuss music, leave a comment. If not, that’s cool. (*sniff*)

Something to never, ever, ever mention again

Tuesday, September 1st, 2009

A word of advice: If, someday, you’re a respected and successful guitarist, singer-songwriter, and veteran of the American blues scene, don’t record a song called “Something To Talk About” and release it as a single and have it become a huge hit and win a Grammy award, OK?

Because if you do, corny journalists (and I count myself among them) will pound that title to death with their headlines, even two decades later. From Bonnie Raitt’s press page:

-“Bonnie Raitt’s biofuel tour bus is something to talk about” by Dave Forster, The Virginian-Pilot, 4/22/07
-“Bonnie Raitt gives musicians, fans something to talk about” by Bruce R. Miller, Sioux City Journal, 8/25/06
-“Raitt at Wolf Trap: Something to Talk About” by Pamela Murray Winters, Washington Post, 7/5/06
-“Raitt’s concert something to talk about” by Josef Woodward, Santa Barbara News-Press, 2/15/06
-“Something to talk about: Inductees John and Bonnie Raitt” by Rob Lowman, The Daily News, 6/28/01

Yeesh.

Raitt and fellow blues legend Taj Mahal will bring their joint tour to Bend’s Les Schwab Amphitheater on Saturday. Here they are performing on “The Late, Late Show with Craig Ferguson” a couple weeks ago:

A Dissenting Opinion (aka What Do YOU Think About Central Oregon’s Live Music Lineup This Summer?)

Thursday, August 13th, 2009

In last week’s GO! Magazine, I reviewed the recent Sugarland show at Les Schwab Amphitheater, cited the big crowd there (and at Brooks & Dunn last summer, and Willie Nelson the summer before that), and reached the following conclusion:

It’s easy for me to get caught up in the chatter among my friends here in town, and my friends are the kind of folks who want more Modest Mouse, Beck and Wilco, and less Sugarland, Brooks & Dunn and Lyle Lovett. They’re disappointed with this year’s lineup (Ween notwithstanding) and, I admit, I sometimes fall into the trap of thinking that their opinion represents a larger feeling across the region.

But that’s just not true, and the numbers prove it. Central Oregon loves its country music, and furthermore, Central Oregonians will drop $40 to $80 apiece to see country’s big stars play here.

I even headlined the article thusly: “COUNTRY IS KING.” As in “Country is king in Central Oregon!”

The next day, I got an e-mail from Mark Smuland, 48, of Bend, who works as a business consultant. Smuland, who was a teen in the 1970s (before music was “bastardized by ‘the industry,’” he says) and lived in Seattle during grunge’s glory years, gently took me to task for declaring country music the ruler of our region.

I read your Sugarland article today. While that cheesy pop-country may be king in Central Oregon, it certainly isn’t in my house. What a musical wasteland we’ve been living in this year. Other than Ween as you noted, I have been soooo disappointed in our local concert promoters. The fact that they couldn’t reel in any of the hundred or so bands playing Sasquatch this year is downright incompetent. I’ve had to burn hundreds of gallons of gas to see any shows this year. The Dead at the Gorge, Wilco at the (Britt festival), upcoming Flaming Lips/Built to Spill in Portland. I was lucky enough to catch Band of Horses on the east coast while I was on vacation.

I was driving down Greenwood yesterday and almost caused a wreck when I did a double take after seeing a name that I actually recognized on the marquee at the Midtown. G. Love on 9/3? Wow! I can’t even recall the last good show at that venue. Help get the word out in your column. If we show some local support for good music, maybe some more shows will come our way and we can stop burning gas to see good music.

See you at Ween, Jackie Greene and G.Love.
Mark

Now, if you know me, or you pay attention to the music I flog here on Frequency or as part of my year-end “best of” coverage, you pretty much know where I stand. I’ll cover — as objectively as I can — whatever comes our way. But personally, I’d rather have a summer packed with cool, relevant rock, pop, punk and/or hip-hop bands than adult contemporary acts, bands that are decades removed from their prime, and musicians tailor made for the NPR crowd. My friends — those folks who’d rather have Beck than Lyle Lovett — are my friends for a reason. I, too, would rather see Beck than Lyle Lovett, or The Shins over Pink Martini, or Modest Mouse over Lynyrd Skynyrd. Heck, I’d rather see Ben Harper or Fiona Apple than Jason Aldean or Bonnie Raitt.

So clearly, there are a couple of factions here. There’s a (younger?) crowd that wants the indie/alternative stuff. That group was happy in 2006 and 2008. Then there’s an (older?) crowd that digs the twangy, country stuff, some jazz and blues, and nostalgia acts. Those folks were happy in 2007, and they should be happy this summer.

What I’d like to know is where Frequency readers fall on this debate. What kind of acts would you like to see in Bend? Are you happy with this summer’s offerings? Or are you disappointed? And if you’re disappointed, where do you place the blame? Is it on show promoters? Local music fans for not supporting the music you love? The OLCC?

I’d love to hear what you think in the comments.

Brightening up my Thursday lunch break

Thursday, July 30th, 2009

Thanks, 92.7 FM.

The best music of 2009 (so far)

Friday, July 10th, 2009

Well folks, it’s early July, and that means one thing to obsessive music geeks everywhere: Time to make a list!

The first six months of 2009 have come and gone, and they were a bit of a roller-coaster for me, music-wise. For the first few months of the year, I didn’t hear much that I loved and was convinced this would be the weakest year of new music in quite some time. (I’m talking non-local here. Locally, it’s been a stellar year for recorded music. Click here or grab a copy of today’s GO! Magazine for more on that.)

In the last few months, though, things have picked up considerably. Truth is, I think running this blog has helped a lot. It has forced me to pay closer attention to new music, and to check out more stuff than I think I normally would’ve. As a result, there are a lot of names on the list below that I wasn’t necessarily familiar with on New Year’s Day.

And that, really, is what I love about music. I’m constantly on the lookout for what’s new. I love the thrill of discovering a new band, even if they’re not necessarily making a new sound. I like looking forward, not back. (Never mind the fact that I’ve listened to Kathleen Edwards’ 2008 album “Asking For Flowers” more over the past six months than any of the albums listed below.)

With that in mind, let’s look back (haha) at the records that really grabbed me in the first half of 2009. I’m not going to clutter this post up with CD covers or YouTube videos. Just click on the artist names to find out more.

The Best of the Best
Crocodiles, “Crocodiles” (slacker shoegaze)
Japandroids, “Post-Nothing” (noisy garage rock … read more here)
School of Seven Bells, “Alpinisms” (icy electro-pop … read more here)
Shabazz Palaces, “CD1″/”CD2″ (brainy Seattle hip-hop … read more here)
Weinland, “Breaks In The Sun” (graceful folk-pop … read more here and watch video of their live show in Bend here)

The Best of the Rest
Brakes, “Touchdown” (pure, perfect pop-rock)
Dinosaur Jr, “Farm” (guitars on blast)
Truck North, “Truck Jewels” (Philly hip-hop … read more here)

More Good Stuff
Animal Collective, “Merriweather Post Pavilion” (psychedelic Afro-electro-pop)
Arbouretum, “Song of the Pearl” (stoner blues)
Assemble Head in Sunburst Sound, “When Sweet Sleep Returned” (psych-pop)
Black Moth Super Rainbow, “Eating Us” (analog weirdness … read more here)
Gui Boratto, “Take My Breath Away” (twinkling electronica)
Danger Mouse, Sparklehorse and David Lynch, “Dark Night of the Soul” (creepy pop … read more here)
The Decemberists, “The Hazards of Love” (indie-prog)
John Doe & The Sadies, “Country Club” (country)
The Pains of Being Pure at Heart, “The Pains of Being Pure at Heart” (throwback twee)
Sonic Youth, “The Eternal” (noise-rock)
Telekinesis, “Telekinesis!” (indie-pop)
Various artists, “Dark Was the Night” (indie-rock Mt. Rushmore)
Wale, “Back to the Feature” (D.C. hip-hop)

OK. Hopefully I didn’t forget something. If I did, remind me in the comments. Think I should’ve included your favorite album? Tell me in the comments. Think one of those albums stinks? Let me know in the comments! I love nothing more than talking about music…

Central Oregon musicians pay tribute to Michael Jackson (Part II)

Monday, July 6th, 2009

mj

It’s been more than a week now since the unexpected death of Michael Jackson, and the man, his life and his legacy is still a hot topic of conversation. Whether you think he should be remembered as a pop-culture icon or that his latter-day legal troubles overshadowed his chart success (or both), there’s no question the guy had an enormous influence on music.

To get an idea of the influence he had on Central Oregon’s music scene, Frequency asked a bunch of local musicians to talk about Michael Jackson’s role in their development as artists, to reflect on his life, or just to share their memories of his music, and so many responded, I split them up into two posts. You can read the first one by clicking here, and the second batch begins just after the jump.

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Central Oregon musicians pay tribute to Michael Jackson (Part I)

Friday, July 3rd, 2009

Michael Jackson

It’s been a week now since the unexpected death of Michael Jackson, and the man, his life and his legacy is still a hot topic of conversation. Whether you think he should be remembered as a pop-culture icon or that his latter-day legal troubles overshadowed his chart success (or both), there’s no question the guy had an enormous influence on music.

To get an idea of the influence he had on Central Oregon’s music scene, Frequency asked a bunch of local musicians to talk about Michael Jackson’s role in their development as artists, to reflect on his life, or just to share their memories of his music, and so many responded, I’m going to split this up into two posts. Click below to read their thoughts, watch a video tribute, and see some themes — “Thriller” and sadness — unfold. Then check back in the next day or two for the rest.

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Happy Canada Day!

Wednesday, July 1st, 2009

One of the highlights of my life is tearing off the old month on my desk calendar to reveal a new month. (My life is awesome.)

Today was totally double-bonus day, because the new month revealed to me that July 1 is Canada Day! Yay for Canada.

In honor of Canada…

No joke: That bridge is great, and the chorus — especially when the harmony kicks in at 1:10 — is as good as it gets. I could listen to this song all day.

Kudos, Bryan Adams. Kudos to you.

Happy Canada Day, Bryan Adams.

Waves and waves of Wavves

Tuesday, June 9th, 2009

Look, I don’t hate the music I hear here. I don’t love it, but I don’t hate it.

But you tell me: Is the music you hear there really worth all of this attention and interest?

p4k1wavvesp4k

This current wave of lo-fi/noise/pop bands that are dominating the music blogs (and seem to just keep coming NO END IN SIGHT!) is getting to be too much. I’m as much a sucker for the next big thing as the next guy, but in this case, it feels like we’re being hoodwinked.

It’s enough to make me wanna buy a crappy guitar and find a friend with some crappy drums and bang away and become worldwide stars.


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