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This week in GO! Magazine’s music section

Friday, May 17th, 2013

Short but sweet this week, folks:

– Seattle-based hard-funk ‘n’ soul band The Staxx Brothers returns to town Saturday night for a show at Silver Moon Brewing & Taproom. My colleague David Jasper spoke with frontman Davin Michael Stedman about the band’s in-progress music video, which revolves around a guitar made in Bend.

Tartufi is an excellent San Francisco band with a psychedelic sound and a tight grip on dynamics. They’ll play The Horned Hand Thursday.

– The reggae-rock band Pepper hits the Domino Room Tuesday to play some songs from its upcoming self-titled album, due out in July.

Elsewhere in the music section: Keb’ Mo’ will play to a sold-out Sisters High School auditorium as part of the Starry Nights series, Couches brings classic indie rock to The Horned Hand, The Quiet American will do a ukulele concert and workshop at Kelly D’s. Plus, the lineup for the 2013 Deschutes County Fair!

Who’s playing the 2013 Deschutes County Fair?

Friday, May 17th, 2013

Cheap Trick!

Cheap Trick!

From today’s paper:

July 31 — Cheap Trick
(kings of power-pop!)

Aug. 1 — Kip Moore
(country, younger edition)

Aug. 2 — Aaron Tippin
(country, older edition)

Aug. 3 — Kansas
(classic rock, my wayward son)

Tickets will be free and available all over Central Oregon, but you must pay admission to the fair to go to the show. Find more info at www.expo.deschutes.org, and of course we’ll have more in GO! Magazine as the fair gets closer.

Bend Roots Revival eyes new home at Pakit Liquidators

Thursday, May 9th, 2013

From left, Hobbs Magaret and Mark Ransom perform at Church of Neil last year at Pakit Liquidators.

From left, Hobbs Magaret and Mark Ransom perform at Church of Neil last year at Pakit Liquidators.

Organizers of the Bend Roots Revival, a popular three-day celebration of local music and art, are planning to stage the 2013 version of the festival at Pakit Liquidators, a construction material resale shop at the corner of Southeast Ninth Street and Southeast Armour Boulevard in Bend.

Earlier this week, Roots founder Mark Ransom and his partner, Jesse Roberts of the humanitarian nonprofit Rise Up International, said they had not yet applied for the necessary permits to hold the event at Pakit, but that Matt Korish, who owns the place, is on board with hosting Roots.

Ransom said Pakit — known for its massive and labyrinthian piles of, um … stuff — has an atmosphere that fits nicely with the spirit of the Revival. That became clear during last year’s Church of Neil concert, an annual, underground celebration of the music of Neil Young.

“We did Church of Neil there last year and everybody realized what an amazing space it was,” he said. “Matt had already been thinking about renovating the space, clearing it out and being able … to make use of the buildings.”

Roberts attended Church of Neil, too, and said the same thing.

“It had this very artful vibe, almost like a barn party kind of thing. Half of it was kind of cleared out, there were bonfires going outside,” he said. “And we were like, ‘Man, imagine this. This kinda has the spirit of Roots.’”

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This week in GO! Magazine’s music section

Friday, May 3rd, 2013

Here’s your weekly roundup of what’s in today’s section!

Eilen Jewell is an Idahoan, a former Bostonian, a spitfire and an ultra-cool roots-rocker. (She is not, however, an Eileen.) Jewell returns to Sisters Wednesday, and my colleague David Jasper caught up with her and talked about what folks can expect at The Belfry.

“Our live show is a mix of songs from various albums. I don’t tend to stick to just one album, it’s not just the latest one,” she said. “There’s usually some from every one that we’ve released so far, including side projects like the Sacred Shakers. Usually we’ll throw in a Loretta Lynn song (or two). And Jerry Miller, the lead guitarist in my band, has a solo project out, and we’ll do one or two from his brand new record.

“We give every show our all,” Jewell said. “We’re real excited to get back out West.”

I hope you’ll read the whole thing.

Aesop Rock performs last weekend in Bend. Photo by Joe Kline / The Bulletin.

Aesop Rock performs last weekend in Bend. Photo by Joe Kline / The Bulletin.

In Feedback, I reviewed last weekend’s Aesop Rock show at the Domino Room in Bend. It was good, but Aes spent a lot of time sharing the spotlight with his buddies. I would’ve liked a little more of the headliner doing his own solo stuff.

He delivered, eventually, ripping through “Skelethon” singles “ZZZ Top,” “Cycles To Gehenna” (with its wonderful third act set to stark, somber piano) and “Zero Dark Thirty.” The latter’s roller-coaster melody and skittish beat stood out among the bass-drenched rumbles that overwhelmed other songs’ subtleties.

In the end, Aes gave the people what they want, doing fan-fave oldies “Nightlight” and “Daylight” and then reaching way back for “No Regrets” from his classic 2001 album “Labor Days.”

It all sounded good. The performers performed well. I enjoyed myself, truly. And the medium-sized crowd seemed to do the same.

I just walked out of the Domino Room feeling like I’d bought a ticket to an Aesop Rock show but ended up seeing a stop on the Aesop Rock & Friends Present The Traveling Rhymesayers Revue Tour.

Click here to read the whole review.

Elsewhere in the music section: Week of Wonders headlines a garage-y bill at The Horned Hand, The Black Lillies come to McMenamins, the Central Oregon Songwriters Association holds its annual Song of the Year awards show, The Northstar Session returns to The Sound Garden, Tracy Grammer plays The Belfry in Sisters and Danny Barnes will fill McMenamins with his banjotronics sound, plus a couple of good, local Cinco de Mayo options (Chiringa and Moon Mountain Ramblers) and a benefit concert featuring three local faves (Tony Smiley, MoWo and Keez).

City council softens noise law, and The Horned Hand is closing (its physical location, at least)

Thursday, May 2nd, 2013

11knobs

Newsy night on the local music scene last night. Since I have to get tomorrow’s GO! Magazine out the door, here’s a quick recap:

The Bend City Council took the first step toward approving changes to its noise ordinance. Those changes are designed to clean up and clarify language that a judge deemed too vague late last year as he dismissed a noise-code violation citation against the Colorado Avenue music venue The Horned Hand, which was issued last August.

Before approving those changes, though, the council made two additional changes to the law, both of which seem to favor event promoters and venue owners: Police are now required to use decibel meters before issuing a citation to a business that has received a noise complaint, and the fine for a first offense is now $250, down from a maximum of $750.

– Before the votes, The Horned Hand’s owner, Wesley Ladd, announced that he is closing the venue “within two months.” Initially, he mentioned the “strife” caused by the noise code and other issues as a reason, but after the meeting, he clarified to The Source Weekly, saying something I’ve been hearing him talk about for a while now:

At one point on Wednesday night, Ladd told the council he was closing The Horned Hand in part because of “strife” related to issues like the noise ordinance, but clarified later that the city, particularly the police department, has been very easy to work with and that the closure was more related to the difficulty of operating a music venue with a young family.

This morning on Frequency’s Facebook page, Ladd reiterated the family-related reasons behind the Hand’s closure, and said he and his partner, Callie Young, would continue to be involved in Bend’s music scene:

ladd

Over the past several months, Ladd (among others) has been working to open Nectar of the Gods Meadery. Coincidentally, the council also approved a liquor license for the company’s facility on Second Street in Bend Wednesday night, shortly before discussing the noise ordinance.

Last two days for discounted 4 Peaks festival tickets

Tuesday, April 30th, 2013

The subject line pretty much says it all: Tomorrow is the last day to pay $109 for tickets to the 4 Peaks Music Festival, which will be held June 21-23 near Tumalo. On Thursday, tickets increase to $125. (Neither price includes additional fees tacked on when you purchase.)

Tickets come with general admission access to the three-day festival, plus camping and parking. (Large RVs, buses and trailers must pay an extra $20.) Kids under age 10 are free. There will be food (Pizza Cart! Dump City! Codfather! Leah’s Lunch! Potato People!) available onsite.

There are fewer than 500 tickets available to the public, making for what will surely be a festival experience more intimate than most festival experiences. You can purchase here.

And here, with the addition of the Portland-based global jam band Tapwater, is the final lineup for the 2013 4 Peaks festival.

4peaks

This week in GO! Magazine’s music section

Friday, April 26th, 2013

I’m not gonna lie to you, folks: Today’s music section in GO! Magazine is chock full of great stuff. Examples? OK!

One of my favorite rappers, Aesop Rock, returns to Bend Saturday night for a show at the Domino Room. I emailed him some questions about his very personal new album “Skelethon,” and he emailed back some answers.

GO!: I’m sure self-producing the record influenced the sound and style of “Skelethon,” but how about the lyrics and themes? It’s dark in places, and feels very “dude in a room kicking stuff out of his brain” to me, if that makes sense.

AR: Yeah, that sounds about right. The short answer is that this is my first solo album since the passing of my best friend, Camu Tao. A lot of death and related topics come and go, and there’s a lot of just figuring out how to process that kind of thing in there. A lot of thinking out loud within the lyrics. I don’t think I ever get too sad or too dark, or at least when I do it is still in a very human way, in my opinion. Just because it’s about death doesn’t mean it’s a bunch of sad and depressing music on there.

Read the whole thing by clicking here.

The local metal band Inimica performs at Players Bar & Grill in 2010. Photo by Ben.

The local metal band Inimica performs at Players Bar & Grill in 2010. Photo by Ben.

In Feedback, I wrote a fond farewell to westside-Bend dive and local-music institution Players Bar & Grill. And I started the piece off with a quote from a familiar face in Central Oregon’s punk scene.

“Players Bar & Grill has got to be my favorite bar to play at. No other bar in Central Oregon would put up with some of the rowdy shows that we put on and still pay us. It’s the only place in town that I can put on free shows for people and the bar kicks down a few hundred bucks so we can give gas money to bring in out of town bands. I see so many great bands that I want to bring in and share with Bend, and Players lets me do that. Sometimes people don’t realize it’s a bar like this that helps keep the punk scene alive.”

— Darin Lones of The Confederats in The Bulletin, Jan. 5, 2007

Click here and read the whole thing.

Elsewhere in the music section: Judy Collins brings 50 years of folk history to the Tower Theatre, Tony Furtado plays The Belfry, Johnsmith has two gigs this weekend, surf-rockers King Ghidora invade The Horned Hand, Vampirates’ 10th anniversary tour stops in Bend, live music begins at Volcanic Theatre Pub and Parrilla Grill hosts two interesting local bands: All You All and Isles.

Today is Record Store Day!

Saturday, April 20th, 2013

rsdlogo

Today is national Record Store Day, when CD/vinyl-peddling shops stock a slew of special releases — mostly on sweet, sweet wax — that have been been put together specifically for this day. Now in its seventh year, RSD is a celebration of local, independent record stores, as well as a chance for you to show your appreciation for those kinds of businesses with your wallet.

Bend has two such shops: Ranch Records and Recycle Music, though only Ranch is listed on the RSD page as an official participating store. But Recycle is definitely celebrating, too. Here’s a quick look at what each place is planning:

– At Ranch Records (831 N.W. Wall St.), they received more RSD 7″s than usual, so expect a big ol’ table of those somewhere, plus the usual bin of 12″s and 10″s. Ranch will also serve brownies and will make a bunch of old T-shirts from its stock available for free. They open at 10 a.m.

– At Recycle Music (3 N.W. Bond St.), everything in the store except new, sealed vinyl will be 20 percent off, and there will be food and drinks available. As for the RSD releases, Recycle got a few of ‘em, but they’ve also stocked up on both new and used records, and good ones, too. (I picked through some of their crates yesterday.) They open at 10:30 a.m.

Rather than reinvent the wheel, here’s something I wrote a few years back about the importance of supporting locally owned and independent record stores. Every word still stands … well, except for the part about Boomtown closing last year. This was written in 2009.

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Slipmat Science sunsets after Saturday’s Beats Antique show

Friday, April 19th, 2013

slipmat

Saturday’s big Beats Antique show at the Midtown Ballroom will mark the 11th anniversary of Slipmat Science, a local DJ collective and concert-promotion company that has been Central Oregon’s primary purveyor of live electronic music for years.

It will also double as the final Slipmat Science event, as its founders plan to drop the name and evolve their operations to focus on bigger shows and expanding their territory beyond Bend.

“I think we have to have a fresh palette … to start on,” said Travis Owens, who started Slipmat in 2002 with his brother Nathan Owens and their friends Carl Warner, Troy Alfama and Steven Rock. “It’s all about choosing the right name and marketing ourselves the right way, and basically we want it to grow. Everything’s changing and we’re just trying to change with the times.”

Rock died in 2010 and Alfama has turned his focus away from Slipmat Science. That leaves Warner and the Owens brothers to guide the company’s shift from throwing all-night underground dance parties for primarily young people to putting on more visible and mainstream concerts designed to attract all ages.

“When everybody thinks of Slipmat Science, there’s this aura that it’s just like young kids, raves, party your ass off,” Owens said. “And realistically, it’s more of a culture now with how big electronic music is getting. It’s definitely opened up the possibilities.”

Said Warner: “We started it as something that was fun and we never really looked into a lot of the background of what we need to do to make it a legit business. We’re just kind of moving away from who we originally were. We’re opening doorways.”

For years, Slipmat parties were held in mysterious locations; you had to call a phone number the day of the event to find out where to go. They featured DJs who started spinning before midnight and didn’t stop till dawn.

But a few years ago, as electronic music surged in popularity, Slipmat’s shows moved out of the shadows and into Bend’s Domino Room at first, and then Liquid Lounge. The headliners got bigger: DJ Z-trip, Beats Antique, ill.Gates, Heyoka, Gladkill, Tipper, Papadosio, Filastine. And the shows followed a more traditional concert format, with an evening start time and everyone out the door in the wee hours of the morning.

Warner and the Owens want to build on that. They want to re-brand their efforts under a different name, pursue bigger shows and use their connections in other cities (Sacramento, Eugene, Portland) to become more of a player in the regional scene.

“Electronic music is getting bigger and more accepted in the community, (and) people are going to want to listen to it more,” Warner said. “Now it’s just like any other kind of music. You go out on a Friday night and you see electronic music or you see a band.

After the Beats Antique show, the group hopes to get together and try to nail down a new name for its venture. In the meantime, it has a handful of shows planned — including DJ Luke Mandala (May 2), the jam band ZuhG (May 8) and a double-bill of hip-hoppers Latyrx and the popular DJ MartyParty (May 11) — that it will present under the name Stilldream, which is also the name of a music festival Warner runs in Belden, Calif.

Bottom line: Electronic music is huge right now, Slipmat Science has had a couple very successful years bringing it to Bend, and now the guys behind it are ready to take their efforts to another level.

“Big companies see the interest in electronic music. They know it’s marketable. They know money’s being made. So they put more interest into it,” Owens said. “That’s where we’re at. We strive to bring bigger shows … and we’re just wondering if Bend’s ready for that. Right now’s the time. Either it’s going to happen or it’s not.”


The Bulletin