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2011 Bend Roots Revival: Day 2

Sunday, September 25th, 2011

(Find all our coverage of the 2011 Bend Roots Revival, including a preview of the event and recaps of all three days, by clicking here.)

Sometimes it seems like my Twitter feed is full of nothing but Bendites who go to every single event in this town, floating from free concert to art walk to seasonal festival to bike race to free concert to art walk to seasonal festival to bike race to … you get the picture.

Yesterday, I felt like one of those folks.

My goal was to arrive at the Bend Roots Revival at 1 p.m. to see Franchot Tone play his disarming reggae-pop, but a last-minute errand put me in the car, driving across town at that time. Community radio to the rescue! I turned my dial to 88.9 FM, where KPOV was broadcasting live from the festival’s BIGS Stage, and listened to at least half of Tone’s set, including several originals, his sharp cover of the Beastie Boys’ “Sabotage” and a frisky funk jam by The Meters.

When I did finally arrive at the Century Center, I ventured first into the courtyard, where a growing crowd and competing noise from two stages made it feel a bit too chaotic. So I retreated to the Good Life Stage for some jazz guitar wizardry from longtime local Rich Hurdle. I’d never seen him before, but his casual style and laid-back sound was an ideal antidote to the hustle and bustle of the courtyard. Here’s his take on “Triste” by bossa nova pioneer Antonio Carlos Jobim:

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2011 Bend Roots Revival: Day 1

Saturday, September 24th, 2011

(Find all our coverage of the 2011 Bend Roots Revival, including a preview of the event and recaps of all three days, by clicking here.)

Thanks to a previous commitment and then a last-minute decision to go see Subliminal play Nirvana’s “Nevermind” in its entirety (more on that later), I wasn’t able to make as much of the 2011 Bend Roots Revival‘s opening night as I would’ve liked.

I did scoot over to the Century Center in the late afternoon to catch a couple of bands. On the breezy Good Life Stage, local, all-female Americana trio The Prairie Rockets were playing a pleasant set that was perfect for the small Happy Hour crowd that had gathered. (By the way, how nice is that space? Wow. Kudos to Good Life Brewing for creating that little slice of paradise.)

I only had 30 minutes to split between the Rockets and Two/Thirds Trio, and during my 15 minutes with the Rockets, I heard them cover Creedence Clearwater Revival, Bob Dylan, and a folk standard called “Rock Salt and Nails” that was written by Utah Phillips and recorded by, well, just about everyone else. Here it is:

(Sorry for the shaky camera work and cut-off heads. I was wrangling an 18-month-old while shooting both of these.)

From there, I wandered over to the Casey’s Corner stage for a band with one of my favorite names in town, the Two/Thirds Trio. They played this gig as — get this — a quartet, pumping out rubbery, robust funk and jazz that gave the festival’s rootsy Friday-night lineup a little urbane diversity. Here’s one of their jams:

I had to be home most of the evening, so I missed the Moon Mountain Rambler Family Tree party, Billy Mickelson’s Third Seven / Dela Project run, guitar master Brooks Robertson and some other stuff. Before heading over to Grover’s for Subliminal, I checked in hoping to catch Oh Sugoi! (I was told their light show was amazing), but they seemed to be running late. And after Subliminal, I stopped in again and found 75 people or so dancing to the electronic tonic of Flying Kites well after midnight. It was still unseasonably warm.

Today, the schedule really ramps up. Find all our Bend Roots coverage by clicking here.

Jay Tablet: free album download, beautiful video

Wednesday, September 7th, 2011

A few months ago, I told you all about local MC and Cloaked Character Jay Tablet‘s new solo album “Put It On the Tab.”

Over the weekend, the generous Mr. Tab made that album available as a free download. It even includes a few bonus tracks, I believe.

Click here to grab it!

And while you’re waiting for that to download, check out the video Tablet put out a while back for “What If I.” The clip — directed by Pete Alport — features gorgeous shots of Oregon’s natural beauty (Steens Mountain, Painted Hills, Mount Bachelor, Tumalo Falls), plus a verse by Mosley Wotta.

Last Band Standing wants to hear from you!

Thursday, June 16th, 2011

The Last Band Standing competition is nearing the end of its preliminary rounds, which have been held over the past six Friday nights at Century Center. So far, six bands have moved on to the semifinals, to be held June 24 and July 1:

Boxcar Stringband / Jones Road / Kleverkill / Necktie Killer / Sifted / Stillfear

On Friday night, one of the following bands will win the fan vote and move to the semifinals as well: Broken Down Guitars, Capture the Flag, Shannon Tower Band, Strive Roots, Tourniquet Etiquette.

That means seven spots in the semis are taken, and LBS organizers need to pick three “wild cards” from among the rest of the bands in the competition to move on as well. Those three bands will get a second chance to win over fans in the semifinal rounds.

Now, the LBS team wants your input on who should be the wild-card bands. It’s simple: Leave a comment on this post and tell me who should get a second chance and why. Keep it clean or I will not approve your comment. No slagging other bands, either.

Here’s who has competed but didn’t make the semis. Remember, four of Friday night’s bands will presumably be eligible for wild cards, too.

Blue Babies / Cadence / Cognitive Riot / Concave Perception Chamber / Dan Shanahan Band / AJ Engstrom / High Desert Hooligans / Hilst and Coffey / Brian Hinderberger / Matt Borden and the MFB / OpenFate / Past Fraction Zero / Pine Lane / ScarLitt Fever / Shades of Society / Shovelbelt / Tentareign / Tuck and Roll / The Vaulted

Tomorrow, I’ll make sure to send a link to this post to Last Band Standing so they can read your comments. They say they’re going to announce the wild cards tomorrow night, so get to it!

A group photo of all 2011 Last Band Standing participants!

Erin Cole Baker’s new video, “Big Sky” release show

Monday, June 6th, 2011

Click the video above for an early peek at Bend singer-songwriter Erin Cole-Baker‘s new album “Big Sky,” via a Josh Cordell-shot video for the title track. (That’s inside the Backporch coffee shop in the Century Center, right? I’ve never been in there, but that’s my guess.)

Sounds like Erin, doesn’t it? And that’s a good thing.

On Friday night, Cole-Baker will celebrate the release of “Big Sky” with a big show at The Oxford Hotel in downtown Bend. Here’s all the details, stuck to the bottom of this good-lookin’ gig poster.

I’ll have more on Cole-Baker and “Big Sky” in Friday’s GO! Magazine.

new video: Mindscape, “Typical Nightlife”

Saturday, April 9th, 2011

This just in: A good-lookin’ video for the title track from “Typical Nightlife,” the excellent 2010 album by Bend-based MC Mindscape. As Eric Metzger said on Facebook, this clip is pretty much an endless stream of familiar faces and places for anyone who has spent an evening or two roaming around Bend’s bar scene. They should put it in a time capsule so the people of the future can see what it was like to party in this town in the early 21st century.

Mindscape: Typical Nightlife from Hellfish TV on Vimeo.

Empty Space Orchestra roundup: album release date, release show date, new press, new track, new site

Monday, April 4th, 2011

Dark, blurry cellphone photo of Empty Space Orchestra playing last week in their practice space! Click to biggify.

Local instrumental titans Empty Space Orchestra have been relatively quiet this winter, spending more time recording in California and playing shows in Portland and Seattle than on Bend’s stages. Expect more noise over the next month as the space-jazz-rock quintet ramps up the hype for the release of its new self-titled album in May. Here are a few tidbits that have popped up recently:

“Empty Space Orchestra” is nine tracks and 50 minutes long, and its official release date is May 10.

–ESO is planning a local CD-release show on May 19 at Century Center, with Diego’s Umbrella and (probably) another band opening. More details to come, obvs.

–The band’s new publicity team, Us/Them Group, calls ESO “post-prog-noir-metal-space-jazz virtuosos,” which is awesome. We have a commanding new leader in the great genre-hyphenating race!

–Remember what I said about building hype? Well, it started as I was writing this. Click here to check out a post on ALARM Magazine’s website that features an exclusive listen to the song “Exit Strategy,” which ALARM says “builds to truly fierce heights as guitars, horns, and pianos pile atop one another like precariously placed Jenga pieces.” (Note: Frequency featured the track “Intergalactic Battle Cruiser” back in January, and you can still grab it by clicking here.)

–ESO’s fancy new website is right here.

Farewell: JoAnna Lee heads to Texas, but not before playing two last shows this weekend

Friday, February 18th, 2011

Photo courtesy Lance Hardy Photography

JoAnna Lee has been a constant presence on the Bend music scene over the past several years, but on Monday, she’s loading up her car and moving to Austin, Texas to pursue a career as a singer-songwriter.

No surprise, though: She’s gigging until the very last minute. Lee will perform at 7 tonight at Parrilla Grill (635 N.W. 14th St., Bend) and again at 2:30 p.m. on Sunday at Bend WinterFest (in the Old Mill District), just hours before she points her wheels toward the Lone Star State.

“I’m packing up my old 1988 Honda that I’ve had forever with whatever I can fit in it,” she said Thursday, “and that’s pretty much my shoes and my guitars.”

Her decision to relocate is a classic story of chasing the dream. She has never been to Austin, but heard great things about its vaunted music scene, did a little online research, and decided that’s where she is supposed to be.

She’s heading south with no place to live and no job lined up, plus some money saved up from her various jobs in Central Oregon.

“I’m going on a feeling,” she said. “Something in my heart said, ‘This is where you need to be.’”

Lee, 25, said she’s been thinking about moving away from Bend for a while. She moved here with her family early in high school, and began playing out not long after that. Over the past five years, her sturdy alto and sultry mix of soul, R&B and acoustic pop has made her one of the more radio-friendly artists in town, as well as an in-demand live performer and a regular vocal presence on songs by the local hip-hop group Cloaked Characters. (Check out the shimmery video for her song “Sunshine” by clicking here.)

Her musical ability stretches back further. Lee learned to play guitar at age 11 when her mom showed her the chords to a few Beatles songs. Her family “has a lot of soul,” she said, and is full of music fans; Stevie Wonder’s music was a constant presence during Lee’s childhood, and his style is an influence on her sound. More recently, she’s found inspiration in neo-soul artists like Alicia Keys, Adele and Joss Stone.

And so, JoAnna Lee has had a comfortable spot in the local music scene for a while. And a comfortable spot is ideal if you’re happy being comfortable.

It’s not so ideal for someone who wants to stretch and grow and strive for something better.

“I feel like a lot of things have grown around me, and yet I’m still in the same place,” she said about her life in Bend. “My friends are having kids and getting married and settling down, and … I just noticed I’m still playing these gigs, which is great. I love Bend and I love that I can walk anywhere and see someone I know, but … I need experiences. and when I’m frozen in this spot where I feel like nothing’s really happening around me, I feel like I have nothing to write about.

“So part of taking this leap of faith is to grow in my music and my songwriting, and to take it somewhere,” she continued. “I really want my music to go as far as I can possibly push it.”

Lee calls music her “true love” and she feels like all the signs in her life — her faith, her relationships, her creative muse — are pointing toward Texas. And she’s not about to turn away from the opportunity.

“Ever since I was a little girl, I’ve known that my heart and my passion is with my music. That’s truly what gets my heart moving,” she said. “When you know that you’re supposed to do great things, but yet great things aren’t happening, you know that you need to make a change to make them happen.

“I’m ready to make this happen for me and challenge myself. I want the challenge,” she continued. “I have to do this. This is something that I’m going to be able to look back on and say, ‘Gosh, JoAnna, if you hadn’t done that, you wouldn’t be where you’re at today.’”

Lee’s plan upon arriving in Austin is pretty loose: Get a job that will give her the time and brain-space to focus on music. Visit some venues, press kit in hand. Play open mics. Meet people. Make connections. Eventually, she hopes to find some folks and form a band, and she wants to get back to work on her long-in-the-works album.

If it sounds daunting, well, it is. But Lee doesn’t show it.

“My biggest thing I’m nervous about is my car making it,” she said with a laugh. “And even if my car breaks down, you know what’s gonna happen? I’m gonna hop on the next bus and then get there.

Free music. Sweet!

Thursday, December 16th, 2010

Welcome, music lover! You’ve found your way to the Frequency blog and Near/Far, The Bulletin’s online hub for coverage of 2010′s best sounds.

Here, we’ve collected three dozen of the finest songs of the past 12 months from both local and national acts and created a two-disc compilation of free, legal MP3s for your downloading pleasure, complete with some fun doughnut-themed artwork for all you sweet-tooths. Here are the goods:

Download “Far” by clicking here
Includes 18 songs by some of the coolest national acts of the year, including Superchunk, Dr. Dog, Das Racist, Laura Veirs, Wavves, Freeway & Jake One, Beach House, Midlake, Black Mountain, Sharon Van Etten, Aloe Blacc, Someone Still Loves You Boris Yeltsin and more. See the entire “Far” tracklist here.

Download “Near” by clicking here
Includes 18 songs by some of Central Oregon’s best artists, including Larry and His Flask, Sara Jackson-Holman, Mosley Wotta, Mindscape, A.M. Interstate, Tuck And Roll, Elliot, Dennis McGregor, The Autonomics, Michelle Van Handel, Tim Coffey, KouseFly and more. See the entire “Near” tracklist here.

(Please be aware that a few of these tracks might contain some coarse language.)

In today’s issue of Frequency’s big print brother, GO! Magazine, we’ve got several pages dedicated to reviewing music in 2010. For example:

–My 50 favorite albums of the year.

–My 10 favorite local albums of the year and a round-up of some other notable local releases.

–The best musical moments of the year through the eyes of those closest to the scene, presented in handy Top 5 list format.

–My short overview of the Central Oregon music scene in 2009. (Hint: Several Central Oregon bands are starting to find success outside the region.)

Here are some bonus things that are only on the blog:
–My favorite concerts of the year in Central Oregon.

More Top 5 lists from locals close to the music scene. (We got a ton of these, and ran out of room in print.)

–A “bonus disc” of great songs from 2010 that didn’t make it onto Near/Far. (It’s not really a disc. It’s an easily streamed YouTube playlist that includes tracks by Big Boi, Band of Horses, My Chemical Romance, Kanye West, Mumford & Sons, Deerhunter, Weezer, Sun Araw, Cee Lo Green, Purling Hiss, Tame Impala, Peter Wolf, Janelle Monae and more.)

And finally, we still have the 2007, 2008 and 2009 Near/Far compilations available for free download. That’s 102 great songs, including The Shins, Arcade Fire, Jamie Lidell, The Avett Brothers, Brendan Benson, Atmosphere, Band of Horses, Aesop Rock, Fleet Foxes and more. Just click here to grab them.

As always, if you have any questions or comments, feel free to send me e-mail. I love feedback, and am always looking to improve Frequency.

What others thought of the year in music (addendum)

Thursday, December 16th, 2010

Tomorrow morning in GO! Magazine, the music section will be dedicated to the best music of 2010, with four whole pages dedicated to the favorite things — albums, concerts, instruments, whatever — of those closest to Central Oregon’s music scene.

A couple weeks ago, I sent out a call to everyone I know asking them for their top five musical moments of the year. I’ve done this for four years in a row, and always received more lists than I could fit in the paper.

This year, however, there were even more lists than usual, and they were longer and more substantive than ever before. I ended up with way more material than I could use in print. Lucky for all of us, the internet is infinite! So I’ve taken all the overflow and placed it right here. Scroll down to see what a whole bunch of local folks were into in 2010.

Larry And His Flask
roots-punk road warriors
1. Best out of town shows: Austin, Texas at the Hole In The Wall with Possessed by Paul James and Tom Vandenavond. Playing at the House of Blues in Boston on Saint Patrick’s Day with Sick of it All and the Dropkick Murphys. Playing with Matt Hensley of Flogging Molly at Matt’s bar in Carlsbad. Playing acoustic at the House of Blues in Hollywood, Calif., in Jimmy Kimmel’s personal VIP section at the Mighty Mighty Bosstones show.

2. Most listened to albums of 2010: Possessed by Paul James, “Feed the Family.” Punch Brothers, “Anitfogmatic.” Noman, “Broadcast.” Murder by Death, “Good Morning, Magpie.” The Tallest Man on Earth, “Shallow Grave.”

3. Best hometown shows: Playing with The Devil Makes Three and the Dela Project at the Domino Room. Super rowdy show! Also, watching The Aggrolites at the Domino Room.

4. Best singer-songwriter of the century: Willy Tea of Oakdale, Calif.

5. Best party in Florida: The Fest, Halloween weekend. We played two shows that were awesome, then snuck onto the fourth floor of the Holliday Inn. Played on the fourth floor only to get kicked out by security and then to play again in the lobby with the manager’s permission at 4 a.m.

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